10 Underrated Films by Jamie Campbell Bower You Must See

Jamie Campbell Bower has built a varied film career that stretches from grand fantasy worlds to intimate indie storytelling. He has taken on leads, scene stealing supporting turns, and distinctive voice roles that showcase a range many viewers might have missed. This list brings together projects where his contribution is easy to spot and worth a fresh look.

You will find franchise entries alongside smaller productions, plus a pair of family friendly features where he lends his voice. Each entry notes the role he plays, who made the film, and where it fits within its series or creative context, so you can decide what to queue up next.

‘Sweeney Todd: The Demon Barber of Fleet Street’ (2007)

Jamie Campbell Bower plays Anthony Hope, a young sailor whose path intertwines with the title character and Johanna. The film adapts the Stephen Sondheim and Hugh Wheeler stage musical, with Tim Burton directing and a cast that includes Johnny Depp and Helena Bonham Carter. Bower performs his singing onscreen, recorded under the film’s music department alongside the orchestra and ensemble.

Production took place primarily at Pinewood Studios with large scale sets built to recreate Victorian London interiors and streets. Costume design draws on period tailoring and muted palettes to match the story’s tone, while the soundtrack album features Bower’s vocals on key numbers that advance Anthony’s storyline.

‘Anonymous’ (2011)

Bower appears as the younger Edward de Vere, Earl of Oxford, complementing Rhys Ifans who portrays the character later in life. Roland Emmerich directs this drama that explores the Oxfordian theory of Shakespeare authorship, with Vanessa Redgrave and Joely Richardson playing Queen Elizabeth at different ages. The narrative moves between court intrigue and the London theater scene to trace the creation of famous plays.

The production used Babelsberg Studios for elaborate Tudor era sets and digital extensions for London exteriors. Cinematography employs naturalistic lighting to echo candlelit stages, and the script weaves in historical figures from the Lord Chamberlain’s Men and the Cecils to ground the theory driven plot.

‘The Mortal Instruments: City of Bones’ (2013)

Jamie Campbell Bower stars as Jace Wayland, a Shadowhunter trained to battle demons while navigating alliances within the Clave. Harald Zwart directs this adaptation of Cassandra Clare’s first novel in the series, with Lily Collins as Clary Fray and Robert Sheehan as Simon Lewis. The film introduces runes, seraph blades, and Downworlders as core elements of the worldbuilding.

Principal photography centered in Toronto with locations dressed as New York settings, including the Institute and the City of Bones. Production design built practical sets for training rooms and sanctuaries, while stunt teams staged wire assisted fights that highlight Jace’s combat style and the lore around angelic ancestry.

‘The Twilight Saga: New Moon’ (2009)

Bower joins the franchise as Caius, one of the Volturi leaders who enforce vampire law from their seat in Italy. Chris Weitz directs this chapter, which introduces the Volturi guard and expands the political structure of the vampire world. Bower’s character appears alongside Michael Sheen’s Aro and Christopher Heyerdahl’s Marcus to complete the ancient triumvirate.

Location work for the Volturi sequences centered on Montepulciano, which stood in for Volterra. The production created cloaks, ceremonial spaces, and guard choreography to distinguish Volturi protocol from the Cullen family’s lifestyle, and visual effects teams added subtle eye work and speed transitions during council scenes.

‘The Twilight Saga: Breaking Dawn – Part 1’ (2011)

Jamie Campbell Bower returns as Caius as the Volturi monitor events surrounding the marriage of Bella Swan and Edward Cullen and the consequences that follow. The storyline establishes the Volturi interest in enforcing rules against perceived threats, setting up motivations that carry forward to the next film. Scenes with the guard maintain the coven’s formal hierarchy and rituals.

Production split across Baton Rouge and Vancouver, with shared crews covering both installments. Costuming keeps the Volturi in layered fabrics and structured silhouettes to contrast with the Pacific Northwest settings, while the makeup team maintains consistent pale complexions and contact lens coloration for continuity across appearances.

‘The Twilight Saga: Breaking Dawn – Part 2’ (2012)

Bower continues as Caius during the large scale gathering that brings the Cullens and their allies face to face with the Volturi. The film assembles covens from different regions, giving the Volturi council a broad view of vampire politics while the story resolves the conflict surrounding Renesmee. The role emphasizes Caius’s strict reading of coven law within the council.

The climactic field sequence combined practical winter terrain with extensive visual effects for powers, crowds, and environmental enhancements. Second unit teams coordinated stunt beats for multiple character pairings, and the production organized large call sheets to manage the expanded ensemble during training, travel, and confrontation scenes.

‘Harry Potter and the Deathly Hallows – Part 1’ (2010)

Jamie Campbell Bower portrays the young Gellert Grindelwald in a key memory that ties into the Elder Wand storyline. His scenes appear through recollections connected to wandlore and a wandmaker’s testimony, providing background on the wand’s path and Grindelwald’s early quest for power. The appearance links to Albus Dumbledore’s past and the wider wizarding conflict.

Filming took place at Leavesden with sets recreating European interiors seen in memories, supported by makeup and hairstyling that match established franchise looks. The sequence uses color grading and framing choices to signal a pensieve perspective, and prop continuity traces the wand’s design elements to connect with later franchise entries.

‘Fantastic Beasts: The Crimes of Grindelwald’ (2018)

Bower appears again as the younger Grindelwald in flashback moments that illuminate the character’s bond with a young Albus Dumbledore. These scenes depict the origin of a blood pact and provide context for decisions that shape later events. The film positions the flashbacks alongside present day wizarding politics to show how that pact limits direct confrontation.

Production returned to Leavesden for Hogwarts corridors and classrooms, with additional work in Parisian settings built on soundstages and backlots. The flashbacks use wardrobe and props that mirror items seen in earlier stories, and visual effects refine the look of magical bindings and artifacts tied to the pact.

‘Thomas & Friends: Sodor’s Legend of the Lost Treasure: The Movie’ (2015)

Jamie Campbell Bower voices Skiff, a small railboat who partners with Sailor John during a hunt for hidden treasure on Sodor. The special introduces Skiff as both a character and a unique vehicle, expanding the series with a new mode of travel. John Hurt voices Sailor John, and the story intersects with familiar engines while unveiling clues and locations around the island.

This feature length special combines model inspired design with contemporary animation techniques. The team recorded voice performances before final animation passes, allowing animators to match timing and expression, and the release included cinema screenings in select regions alongside broadcast and home media editions.

‘Six Days of Sistine’ (2019)

Bower stars opposite Elarica Johnson in an intimate drama that follows two strangers who meet by chance and spend a series of days learning about one another. The film focuses on sparse settings and dialogue driven scenes to build the relationship between the leads. Director Richard Perry structures the story around recurring locations that mark the passage of time and deepen the characters’ connection.

The production operates on a small scale with a minimal crew, relying on natural light and handheld camerawork for a close perspective. Distribution targeted digital platforms after a limited festival presence, and the soundtrack blends ambient cues with quiet themes that keep attention on the performances.

‘Winter in Wartime’ (2008)

Jamie Campbell Bower plays Jack, a Royal Air Force pilot who is shot down in the occupied Netherlands and hidden by local resistance contacts. Martin Koolhoven directs this adaptation of Jan Terlouw’s novel, with Martijn Lakemeier as Michiel and Yorick van Wageningen as Uncle Ben. Dialogue spans Dutch, English, and German to reflect the setting and the mix of characters involved in the story.

The film was released in the Netherlands before expanding to other territories, with Sony Pictures Classics handling the United States distribution. Location work in Dutch towns combined with snowbound landscapes to represent the final months of the occupation, and the production used period aircraft details and practical effects to stage the crash and escape sequences.

Share your pick for the most overlooked Jamie Campbell Bower film in the comments and tell everyone which one you plan to watch next.