‘Tell It to the Bees’ and Every Other Movie Leaving Hulu This Week

If your watchlist could use a little housekeeping, this week brings a small batch of titles with firm exit dates. Below you’ll find quick, need-to-know rundowns—plot essentials, key cast and crew, and exactly when each one leaves—so you can decide what to queue up before the window closes.

This list covers Monday, August 25, 2025 through Sunday, August 31, 2025. Each entry includes the final day it’s available this week so you don’t miss your shot.

‘Assailant’ (2022)

A thriller about a married couple whose island getaway turns into a nightmare after a tense encounter with a strange drifter, ‘Assailant’ follows escalating run-ins that spiral into a violent cat-and-mouse chase across the Caribbean. The film stars Poppy Delevingne and Chad Michael Collins as the vacationing couple, with Casper Van Dien as the unpredictable pursuer. It’s leaving on Monday, August 25, 2025.

Written and directed by Tom Paton, ‘Assailant’ leans on remote coastal settings and open-water peril as the couple tries to outmaneuver their stalker. The production was handled under the Saban Films banner for its U.S. release, and the ensemble also includes supporting players in law enforcement and local roles that widen the hunt as tensions peak before the deadline on Monday, August 25, 2025.

‘Vendetta’ (2022)

‘Revenge collides with organized crime in ‘Vendetta’, where a grieving father takes justice into his own hands after his daughter’s murder, setting off a chain reaction with a violent gang family. The film stars Clive Standen as William Duncan, Theo Rossi as Rory Fetter, and Bruce Willis as crime patriarch Donnie Fetter, with Mike Tyson in a supporting turn. It leaves on Monday, August 25, 2025.

Jared Cohn wrote and directed ‘Vendetta’, steering a straightforward revenge narrative into a showdown between a lone avenger and a crew with deep local reach. The cast features additional supporting roles around law enforcement and gang lieutenants as the conflict escalates toward a final reckoning before it departs on Monday, August 25, 2025.

‘Tell It to the Bees’ (2019)

Set in a 1950s Scottish town, ‘Tell It to the Bees’ centers on Dr. Jean Markham and single mother Lydia Weekes, whose connection grows amid community scrutiny after Lydia’s son befriends the doctor and her hives. Anna Paquin plays Dr. Jean Markham and Holliday Grainger plays Lydia Weekes, with the story adapted from Fiona Shaw’s novel. This title leaves on Sunday, August 31, 2025.

Directed by Annabel Jankel, the film features a screenplay by sisters Henrietta and Jessica Ashworth and includes Emun Elliott among the supporting cast. Period details, small-town settings, and the child’s perspective frame the unfolding relationship and its consequences in the era, with the final day to stream arriving on Sunday, August 31, 2025.

‘Anaïs in Love’ (2021)

‘Anaïs in Love’ follows a restless thirty-something in Paris whose impulsive decisions lead her from a fading relationship into an affair and then an infatuation with a renowned writer. Anaïs Demoustier stars as Anaïs, with Valeria Bruni Tedeschi as the writer, and the story traces how desire and curiosity pull the characters into complicated overlap. It departs on Sunday, August 31, 2025.

Written and directed by Charline Bourgeois-Tacquet, the French-language feature also includes Denis Podalydès in a key role that intersects with Anaïs’s entanglements. The film balances city settings and seaside interludes while tracking how the protagonist’s choices ripple through two households, with the last day to catch it set for Sunday, August 31, 2025.

‘American Rapstar’ (2020)

‘American Rapstar’ is a documentary that examines the late-2010s rise of “SoundCloud rap,” charting how social platforms, DIY production, and viral burst fame reshaped pathways for young artists. Interviews and performance footage trace the ecosystem around breakout acts, managers, and online communities, with attention to the pressures and hazards that came with rapid visibility. It’s leaving on Sunday, August 31, 2025.

Directed by Justin Staple, the film compiles on-the-ground material from artists’ early careers, studio sessions, and shows, situating the movement within a broader timeline of internet-first music scenes. Promoters, producers, and journalists provide additional context around trends, monetization, and touring realities, with the final streaming day landing on Sunday, August 31, 2025.

Got picks from this week’s lineup? Share which ones you’re watching—and why—in the comments.