Top 20 Actresses with the Most Beautiful Dark Eyes
Dark eyes on screen draw attention without a word, and some performers have built entire careers on what they can say with a single look. This list gathers twenty actresses from around the world whose dark eyes help define unforgettable performances across drama, action, comedy, and everything in between.
You will find stars from Hollywood and global cinema, with roles that span indie standouts and blockbuster hits. Each entry notes the work they are known for and moments where filmmakers leaned into expressive closeups and lighting to let those dark eyes carry the story.
Audrey Hepburn

Audrey Hepburn became a global icon with lead roles in ‘Roman Holiday’, ‘Breakfast at Tiffany’s’, and ‘Funny Face’. She earned major awards across film and humanitarian work and later served as a UNICEF Goodwill Ambassador.
Cinematographers frequently framed Hepburn in close profile and soft focus, which emphasized her dark eyes in scenes set in boutiques, cafés, and ballroom interiors. Signature eyeliner and clean lashes in films like ‘Breakfast at Tiffany’s’ created a defined silhouette that continues to guide classic screen makeup.
Monica Bellucci

Monica Bellucci rose to international prominence through Italian cinema and later appeared in ‘Malèna’, ‘The Matrix Reloaded’, and ‘Spectre’. She began as a fashion model and transitioned to film with roles that balanced period drama and contemporary thrillers.
Directors often use long takes and minimal dialogue with Bellucci, allowing her gaze to anchor quiet turning points. Warm interior lighting and deep color palettes in films such as ‘Malèna’ place her dark eyes at the visual center of key scenes.
Penélope Cruz

Penélope Cruz is known for acclaimed collaborations in ‘Volver’, ‘Vicky Cristina Barcelona’, and ‘Parallel Mothers’. Her work spans Spanish and English language films and includes a range from intimate character studies to ensemble dramas.
Editors frequently cut to Cruz for reaction beats that move the story without exposition. Naturalistic closeups in films like ‘Parallel Mothers’ highlight how her dark eyes register subtle shifts in mood during dialogue heavy sequences.
Salma Hayek

Salma Hayek earned wide recognition with ‘Frida’, along with high profile roles in ‘Desperado’ and ‘Eternals’. She has produced and starred in projects that foreground complex biographical and action driven narratives.
In biographical and period settings, costuming and hair often frame Hayek’s face to keep attention on her eyes during pivotal confrontations. Cinematography in ‘Frida’ uses saturated interiors and gentle camera push ins to make her gaze carry emotional weight.
Deepika Padukone

Deepika Padukone is a leading figure in Indian cinema with standout roles in ‘Padmaavat’, ‘Piku’, and ‘Pathaan’. Her filmography blends historical epics, contemporary comedies, and large scale action.
Directors often stage Padukone in profile with minimal background movement so the frame rests on her eyes before a musical or dramatic shift. Jewel toned costumes and reflective surfaces in ‘Padmaavat’ amplify closeups that track character resolve.
Priyanka Chopra Jonas

Priyanka Chopra Jonas gained acclaim in Hindi films like ‘Bajirao Mastani’ and ‘Barfi’, then led the series ‘Quantico’ while working across global productions. She has hosted and produced shows that broaden representation in mainstream entertainment.
Action and espionage plotting in ‘Quantico’ relies on surveillance style closeups where her eyes guide misdirection and reveals. In musicals and period films, choreographed pauses allow her gaze to complete a beat before the next cue.
Gong Li

Gong Li is closely associated with landmark works such as ‘Raise the Red Lantern’, ‘Red Sorghum’, and ‘Memoirs of a Geisha’. She has collaborated with leading directors on visually meticulous dramas.
Lighting design in ‘Raise the Red Lantern’ isolates Gong Li’s face against courtyards and lantern glow, making her dark eyes the focal point of restrained scenes. Minimal dialogue and deliberate pacing invite the camera to read small eye movements as key narrative signals.
Zhang Ziyi

Zhang Ziyi became internationally known through ‘Crouching Tiger Hidden Dragon’ and later starred in ‘Hero’ and ‘The Grandmaster’. Her roles combine dramatic intensity with demanding physical performance.
Wuxia cinematography often cuts to Zhang Ziyi in stillness before kinetic sequences, using her eyes to set tone. Color coded set pieces in ‘Hero’ and controlled slow motion in ‘The Grandmaster’ frame her gaze as a counterpoint to movement.
Lupita Nyong’o

Lupita Nyong’o won acclaim for ’12 Years a Slave’ and expanded into genre work with ‘Us’ and franchise entries like ‘Black Panther’. She also performs voice and motion capture roles.
Horror and thriller formats in ‘Us’ hinge on extreme closeups that track character shifts through eye lines and breathing. In ensemble superhero storytelling, reaction shots place Nyong’o at emotional checkpoints where her eyes register urgency or relief without added dialogue.
Natalie Portman

Natalie Portman’s work spans ‘Black Swan’, ‘V for Vendetta’, and ‘Jackie’. She is known for character driven films as well as science fiction and comic adaptations.
Psychological drama in ‘Black Swan’ uses mirrors and tight framing that center Portman’s eyes as the story blurs performance and reality. Biographical scenes in ‘Jackie’ lean on silent pauses where her gaze communicates shifting resolve during interviews and public appearances.
Anne Hathaway

Anne Hathaway has delivered acclaimed performances in ‘Les Misérables’, ‘Rachel Getting Married’, and ‘The Devil Wears Prada’. Her career includes musicals, dramas, and heist capers.
Directors often land on Hathaway for the final cut of a scene so that a look concludes the emotional arc. In ‘Les Misérables’, live singing with handheld closeups keeps her dark eyes in continuous focus, aligning vocal phrasing with visual storytelling.
Gal Gadot

Gal Gadot is widely recognized for ‘Wonder Woman’ and appearances in action franchises like ‘Fast Five’ and the globe trotting caper ‘Red Notice’. She trained extensively for action roles that mix stunt work with character beats.
Heroic framing places Gadot’s eyes along central axes during confrontations and negotiations. Production teams frequently adjust camera height and lens choice to catch direct eye contact with audience perspective in ‘Wonder Woman’.
Zendaya

Zendaya leads the series ‘Euphoria’ and appears in films such as ‘Dune’ and ‘Spider-Man: Homecoming’. She balances television, film, and music projects with fashion and red carpet work.
The visual style of ‘Euphoria’ uses expressive lighting and closeups to map Zendaya’s inner life through eye lines and still poses. Large format cinematography in ‘Dune’ places her gaze inside wide desert compositions so that brief shots carry narrative importance.
Keira Knightley

Keira Knightley earned recognition for period and contemporary roles including ‘Pride and Prejudice’, ‘Atonement’, and ‘Pirates of the Caribbean’. She frequently collaborates on literary adaptations and historical pieces.
Costume dramas often use candlelight and window light to draw attention to Knightley’s eyes during quiet conversations. Directors time reaction shots to her gaze so that plot turns in ‘Atonement’ resolve on a look rather than an extra line.
Michelle Yeoh

Michelle Yeoh’s career spans martial arts classics and modern hits like ‘Crouching Tiger Hidden Dragon’, ‘Crazy Rich Asians’, and ‘Everything Everywhere All at Once’. She performs many of her own stunts and leads character centered stories.
Fight choreography often pauses on Yeoh’s eyes before a decisive move, creating rhythm within action sequences. Family drama scenes in ‘Everything Everywhere All at Once’ use close framing so that her gaze carries the shift from conflict to connection.
Rachel Weisz

Rachel Weisz is known for ‘The Mummy’, ‘The Constant Gardener’, and ‘The Favourite’. Her roles range from adventure to politically charged drama and period satire.
Editors often cut to Weisz for silent beats that direct audience attention toward hidden motives. Low key lighting and shallow depth of field in ‘The Favourite’ keep her eyes crisp in layered dialogue exchanges.
Angela Bassett

Angela Bassett has delivered standout performances in ‘What’s Love Got to Do with It’, ‘Black Panther’, and television work such as ‘9-1-1’. She is frequently cast in roles that combine authority with vulnerability.
Filmmakers position Bassett for head on closeups during speeches and confrontations so her dark eyes carry intensity across the frame. In ensemble scenes, her reaction shots often signal the emotional stakes before the plot moves forward.
Halle Berry

Halle Berry’s filmography includes ‘Monster’s Ball’, ‘Die Another Day’, and ‘X-Men’. She has worked across drama, action, and science fiction with both leading and supporting roles.
Action and thriller sequences often hold on Berry’s eyes as tension builds in confined spaces like interrogation rooms or safe houses. When playing characters under pressure, directors use minimal lighting shifts to maintain focus on her gaze through the scene.
Jessica Alba

Jessica Alba broke out with the series ‘Dark Angel’ and starred in ‘Sin City’ and ‘Fantastic Four’. She has also produced and appeared in a variety of film and television projects.
Graphic novel inspired visuals in ‘Sin City’ use high contrast to set Alba’s eyes against monochrome backdrops. Television pacing in ‘Dark Angel’ relied on repeat closeups that used her gaze to transition between action beats and quiet investigation.
Zoe Saldaña

Zoe Saldaña leads major franchises with roles in ‘Avatar’, ‘Guardians of the Galaxy’, and ‘Star Trek’. She has extensive experience with performance capture and ensemble storytelling.
Motion capture in ‘Avatar’ maps facial performance so that her eyes transmit nuanced expression through digital characters. In ensemble space adventures, directors build reaction chains that land on Saldaña to communicate mission status and shifting alliances.
Share the actresses you would add to this list in the comments so we can keep the conversation going.


