The 10 Most Underrated Amanda Seyfried Movies, Ranked (From Least to Most Underrated)

Amanda Seyfried’s filmography stretches across thrillers, musicals, romances, and prestige dramas, and she has worked with directors known for distinctive styles and strong control of tone. Her roles range from leading performances to key supporting turns that shape a story’s arc, often drawing on a mix of vulnerability and precision that fits a wide variety of genres.

This countdown highlights ten titles that show the scope of her work. You will see studio projects, literary adaptations, and festival favorites, along with character details and behind the scenes credits that place each film in context. The list moves from broader genre fare to celebrated dramas, ending on a title that pairs a heartfelt story with an assured ensemble.

‘Red Riding Hood’ (2011)

Amanda Seyfried plays Valerie, a young woman living in a village threatened by a werewolf, in a fantasy thriller directed by Catherine Hardwicke. The cast includes Gary Oldman as a relentless investigator, along with Shiloh Fernandez, Max Irons, and Julie Christie. Production leans into a fairy tale aesthetic, with moonlit forests, bold color contrasts, and a focus on close up character framing that underscores Valerie’s point of view.

The film uses a whodunit structure built around suspicion and folklore, and the plot threads follow village politics as much as supernatural fear. Seyfried’s character anchors the narrative through scenes that balance romantic conflict with family pressure, and the story’s reveals connect personal history to the larger mystery that drives the final act.

‘Anon’ (2018)

Seyfried portrays a nameless hacker known as The Girl in a near future crime thriller written and directed by Andrew Niccol. The film imagines a world where augmented reality records everyday life, and Clive Owen plays a detective trying to solve murders that appear to leave no digital trace. The premise allows scenes to switch between what characters see and what they choose to hide, which shapes the pace and the look of each sequence.

The production builds its world with sleek interiors and controlled color palettes, and the investigation structure sets up a series of cat and mouse exchanges between Seyfried and Owen. The plot explores privacy, surveillance, and identity, and Seyfried’s performance gives the story an enigmatic center that challenges the system that claims to know everything.

‘Lovelace’ (2013)

Seyfried takes on the role of Linda Lovelace in a biographical drama directed by Rob Epstein and Jeffrey Friedman. The cast features Peter Sarsgaard, Sharon Stone, Chris Noth, Juno Temple, and James Franco, and the film traces a path from early notoriety to later advocacy. Scenes move between the public persona built by the industry and the private experiences that complicate the myth.

The production alternates glossy show business moments with grounded domestic scenes to convey shifting power dynamics. Seyfried’s performance tracks changes in voice, posture, and affect as the character moves from exploitation to testimony, and the narrative structure uses interviews and recollections to document how an image was created and how it was later confronted.

‘A Mouthful of Air’ (2021)

Seyfried plays Julie Davis, a children’s author and new mother, in a drama written and directed by Amy Koppelman from her novel. The story follows Julie’s inner life as she navigates postpartum depression, and the cast includes Finn Wittrock, Paul Giamatti, Amy Irving, and Britt Robertson. Scenes emphasize domestic spaces, pediatric offices, and quiet city moments that reflect the character’s shifting sense of safety.

The film uses soft lighting and careful close ups to focus attention on voice and breath, and the score supports an intimate tone. Seyfried’s role centers on how a parent’s imagination can comfort a child while masking personal struggle, and the narrative frames clinical conversations and family interactions as turning points that reveal what the character is ready to say out loud.

‘Jennifer’s Body’ (2009)

In a horror story written by Diablo Cody and directed by Karyn Kusama, Seyfried plays Anita Needy Lesnicki, a high school student who starts to suspect her best friend is killing classmates. Megan Fox plays Jennifer, and the ensemble includes Johnny Simmons, Adam Brody, and J. K. Simmons. The plot links an occult incident to the pressures of popularity, and the setting uses classrooms, house parties, and small town landmarks to track a friendship’s breakdown.

Editing choices put Seyfried’s reactions at the center of key scenes, and the script builds tension through notes, hallways, and late night drives. The film blends sharp dialogue with creature feature beats, and the final confrontation relies on the history between the two leads, which turns shared memories into tools for survival and truth telling.

‘Letters to Juliet’ (2010)

Seyfried stars as Sophie, a fact checker who visits Verona and discovers a decades old letter left for the secretaries of Juliet. The story pairs her with a young man played by Christopher Egan and his grandmother played by Vanessa Redgrave, with Gael García Bernal as Sophie’s fiancé. The film follows a search through the Italian countryside, weaving travel moments with clues that point to a lost first love.

Locations feature vineyards, village squares, and Verona’s famous courtyard, and the cinematography leans into warm light and open compositions. Seyfried’s character uses persistence and research to track down names and places, and the plot draws on historical notes about letters written to Juliet, which gives the modern love story a literary frame rooted in tradition.

‘In Time’ (2011)

Seyfried co stars with Justin Timberlake in a sci fi action thriller written and directed by Andrew Niccol. The premise imagines a society where time is currency, and people stop aging at a fixed point, which pushes the poor into constant debt while the rich hoard years. Cillian Murphy plays a timekeeper, and the supporting cast includes Olivia Wilde, Vincent Kartheiser, Matt Bomer, and Alex Pettyfer.

Production design divides the city into zones that reflect economic status, and chase sequences use these borders as obstacles. Seyfried’s character moves from captive to partner as the plot turns into a heist, and the film uses bank vaults, armoured vans, and digital readouts to track resources in motion, which keeps the stakes clear in each set piece.

‘Mank’ (2020)

In a period drama directed by David Fincher, Seyfried portrays Marion Davies opposite Gary Oldman as Herman J. Mankiewicz. The story follows the writing of the script for ‘Citizen Kane’, intercutting studio politics, radio work, and social circles that shaped the screenplay’s creation. Lily Collins, Arliss Howard, Tom Pelphrey, and Charles Dance round out the ensemble.

The film was shot in black and white with careful attention to sound stages, ranch locations, and period accurate costumes. Seyfried’s scenes with Oldman capture the interplay between a star and a screenwriter, and the role earned her a nomination for Best Supporting Actress at the Academy Awards, highlighting how the performance anchors key conversations about reputation and authorship.

‘First Reformed’ (2017)

Seyfried appears alongside Ethan Hawke in a drama written and directed by Paul Schrader. She plays Mary, a parishioner who asks Reverend Ernst Toller for help with her husband, whose environmental despair sets off a chain of decisions. Scenes focus on a small church, quiet roads, and modest homes, with a minimalist approach that aligns with the character’s routines.

The film uses a boxy aspect ratio, restrained camera movement, and a subdued score to match the introspective tone. Seyfried’s character becomes a steady presence in Toller’s life, and key moments include conversations that connect faith, grief, and responsibility, which frame the choices that define the final stretch of the story.

‘The Art of Racing in the Rain’ (2019)

Seyfried plays Eve alongside Milo Ventimiglia as Denny in a family drama told through the eyes of a dog named Enzo, voiced by Kevin Costner. The plot follows a race car driver balancing career ambitions and home life, and the story uses the dog’s narration to link everyday moments to big decisions. Scenes move between tracks, kitchens, and hospital rooms, and the timeline covers court cases and custody concerns.

The film adapts Garth Stein’s bestseller and maintains its focus on the bond between a pet and a family. Seyfried’s role charts milestones that shape Denny’s path, and the production incorporates real racing footage and pit lane details to ground the setting, which contrasts with the quiet domestic beats that carry the emotional weight.

Share your own picks for Amanda Seyfried movies in the comments and tell us which ones you think deserve more attention.