Sopranos Rich List: The Wealthiest Actors in the Mob Family, Ranked

The cast of ‘The Sopranos’ built careers that reach far beyond North Jersey. Many parlayed the show’s success into leading roles, long TV runs, film franchises, music royalties, books, and behind the scenes deals that continue to pay. This list looks at those broader earnings engines to see who rose to the top, from touring and syndication to producing, directing, brand partnerships, and smart second acts.

To keep things fair, the order considers diversified income streams, career longevity before and after ‘The Sopranos’, and ongoing royalties where applicable. It also accounts for non acting work that often multiplies wealth, like music catalogs, bestselling books, restaurateur ventures, and successful side businesses. Here is the countdown from 20 to 1.

Federico Castelluccio

Beyond Furio on ‘The Sopranos’, Federico Castelluccio runs a serious fine art career. He paints in a classical realist style, exhibits in galleries, and has collectors who commission original work. He also directs and produces independent projects, which expands his income beyond acting.

His art expertise led to notable finds in European markets, and he has consulted on old master works for private buyers. Combined with steady TV and film roles, convention appearances, and licensing tied to his character, those pursuits provide multiple revenue lines over time.

Michael Rispoli

Michael Rispoli’s work stretches from ‘The Sopranos’ to films like ‘Rounders’ and ‘The Rum Diary’ and to prestige TV including ‘Billions’ and ‘The Deuce’. That steady stream of supporting roles across decades adds up through residuals and recurring contracts.

He has also worked in regional theater and independent productions, which diversifies earnings between union stage pay and screen work. Guest roles on network dramas and streaming series help maintain residual income that compounds with a broad resume.

David Proval

David Proval brought Richie Aprile to life, but his career began long before ‘The Sopranos’ with films like ‘Mean Streets’. He has balanced character roles in studio films with guest arcs on network television, creating steady residual income from multiple channels.

Proval has also done voice work and stage performances, which provide additional paychecks between screen projects. Appearances at festivals and fan events tied to classic films and the series create ongoing engagement and monetization opportunities.

Vincent Pastore

Vincent Pastore turned his stint as Big Pussy into a busy career of films, reality TV, and voice work that includes family titles like ‘Shark Tale’. He also keeps active on the convention circuit and participates in podcasts and live shows tied to the series.

He has published writing about his experiences and appears in touring stage productions. Those live appearances, combined with licensing, residuals, and guest spots on TV crime dramas and comedies, keep revenue flowing well after the original run.

Aida Turturro

Aida Turturro followed Janice Soprano with recurring roles on ‘Law and Order SVU’ and appearances on shows like ‘Brooklyn Nine Nine’ and ‘Nurse Jackie’. Long running network procedurals are reliable for residuals, and her recurring contracts provide stability.

She has also worked in independent films and on stage, adding union pay and festival stipends to the mix. Public speaking, charitable events, and select endorsements complement screen income while maintaining a consistent presence with audiences.

Drea de Matteo

Drea de Matteo moved from Adriana La Cerva to leads and major arcs on ‘Joey’, ‘Desperate Housewives’, and ‘Sons of Anarchy’. Those network and cable roles produced significant episode fees and continuing residuals across broadcast reruns and streaming.

She has hosted podcasts and pursued direct to fan platforms that offer subscription and merchandise revenue. Film roles, indie projects, and event appearances round out a portfolio that blends mainstream television with entrepreneurial channels.

Steven R. Schirripa

Steven R. Schirripa added a long run on ‘Blue Bloods’ to his work as Bobby Baccalieri. A network series regular role generates consistent pay and residuals, and he has kept a strong presence through hosting and voice gigs.

He co hosted the ‘Talking Sopranos’ podcast and co authored the bestseller ‘Woke Up This Morning’, creating new income streams tied to the series. His food brand and cookbooks add consumer product revenue that sits alongside TV work and live appearances.

Frank Vincent

Frank Vincent built a career across ‘Raging Bull’, ‘Goodfellas’, and ‘Casino’ before his time on ‘The Sopranos’. That string of classics airs frequently, which supports residuals from multiple platforms. He also booked commercial work and brand voiceovers.

Gamers know him as a lead voice in the ‘Grand Theft Auto’ franchise, where video game compensation and related royalties provide additional income. His book on classic style and public speaking engagements broadened his revenue beyond screen roles.

Dominic Chianese

Dominic Chianese’s career reaches from ‘The Godfather Part II’ and ‘Dog Day Afternoon’ to ‘Boardwalk Empire’ and ‘The Good Wife’. That mix of film and TV keeps residuals active across different eras and platforms.

He is also a recording artist who performs live and releases albums, adding music royalties and ticket sales to acting income. Philanthropic performances and cultural events keep him in demand, which sustains bookings and catalog engagement.

Annabella Sciorra

Annabella Sciorra arrived at ‘The Sopranos’ with a strong film resume including ‘Jungle Fever’, ‘The Hand That Rocks the Cradle’, and ‘Cop Land’. Those titles reappear on cable and streaming, maintaining residual income over time.

On television she has taken substantial arcs on shows like ‘Law and Order SVU’ and ‘Blue Bloods’. Combined with stage work and indie films, these roles produce a steady mix of upfront pay and residuals that continue as those episodes resurface.

Jerry Adler

Jerry Adler brought decades of Broadway direction and production experience to Hesh Rabkin. Stage leadership roles generate earnings separate from acting, and his early work on major productions established long term credibility and opportunity.

On screen he has held recurring roles on series such as ‘The Good Wife’ and ‘Rescue Me’, contributing to residuals that compound across syndication and streaming. His blend of theater management and television acting creates a diversified income base.

Robert Iler

Robert Iler transitioned from AJ Soprano to professional poker and podcasting. Tournament play and sponsorships add income that is distinct from acting, while podcast advertising and live shows provide ongoing revenue.

He still receives residuals from ‘The Sopranos’ and occasional guest roles. Appearances at fan conventions and collaborations with former castmates keep the brand momentum going and create additional monetization paths.

Jamie-Lynn Sigler

Jamie-Lynn Sigler leveraged Meadow Soprano into television arcs on ‘Entourage’ and network comedies, plus a turn on ‘Big Sky’. She has performed on Broadway in ‘Beauty and the Beast’, where weekly stage salaries add to screen income.

Music releases, brand partnerships, and podcasting contribute additional revenue. Recurring TV roles and voice work produce residuals that continue as episodes replay, while event hosting and speaking engagements help diversify earnings.

Joe Pantoliano

Joe Pantoliano’s film credits span ‘The Matrix’, ‘Memento’, ‘Bad Boys’, and ‘The Goonies’, providing a deep residuals pipeline. He has remained active in both studio and independent films, which spreads risk and keeps income steady.

On television he has alternated between recurring roles and limited series turns. Pantoliano is also an author and public speaker, creating book royalties and appearance fees that sit alongside his ongoing screen work.

Michael Imperioli

Michael Imperioli added writing and producing to his acting career, co writing ‘Summer of Sam’ and scripting episodes of ‘The Sopranos’. Those credits bring additional compensation beyond performance fees. He has also directed for television.

His recent work includes ‘The White Lotus’ and guest arcs on series like ‘Blue Bloods’. The ‘Talking Sopranos’ podcast and the book ‘Woke Up This Morning’ expand revenue through publishing, advertising, and live shows connected to the series legacy.

Lorraine Bracco

Lorraine Bracco’s breakthrough in ‘Goodfellas’ joined a long run as Dr. Melfi on ‘The Sopranos’, creating two catalogs that reappear on cable and streaming. She has worked steadily in film and television with recurring parts on shows such as ‘Blue Bloods’.

She authored books and fronted a home renovation series set in Sicily, adding international exposure and new income streams. Voice work in animation and video games and appearances at festivals and retrospectives continue to support residuals and fees.

Steve Buscemi

Steve Buscemi pairs character roles in ‘Fargo’, ‘Reservoir Dogs’, and ‘The Big Lebowski’ with a lead turn and executive producer credit on ‘Boardwalk Empire’. Producing and directing episodic television adds significant compensation beyond acting.

His directing resume includes episodes of ‘The Sopranos’ and other major series. With a career spanning studio films, acclaimed indies, and prestige TV, his residuals portfolio is broad and supported by regular new projects.

Edie Falco

Edie Falco followed Carmela with a lead and producer role on ‘Nurse Jackie’, which ran for multiple seasons and remains active in syndication. She has also worked on ‘Oz’, ‘Law and Order True Crime’, and high profile limited series.

Stage work on Broadway and national theater adds to film and TV earnings. Awards recognition enhances contract leverage, and recurring roles on network and streaming platforms ensure residuals that continue to build over time.

James Gandolfini

James Gandolfini negotiated top tier pay by the final seasons of ‘The Sopranos’ and shared in producer credits, which increased his earnings during the run. He continued to work in films like ‘Zero Dark Thirty’ and ‘Enough Said’ and produced projects for television.

His Broadway stint in ‘God of Carnage’ and voice roles added variety to his portfolio. Syndication and international distribution kept the series profitable, which supported strong residuals tied to his central role and producing involvement.

Steven Van Zandt

Steven Van Zandt’s wealth combines acting with a major music career as a core member of the E Street Band. World tours, publishing, and a long running catalog provide royalties that span decades. His solo albums and live shows add touring income outside that flagship act.

He expanded into television with ‘Lilyhammer’, where he starred and produced. His record label and radio brands, including a national channel presence, create recurring revenue through licensing and programming. Education initiatives and books broaden his profile while his music catalog and production credits anchor long term earnings.

Share your take in the comments on who you think built the savviest post ‘The Sopranos’ fortune.