Sharon Stone, 67, Questions Why People Are Afraid of Aging and Nudity

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Sharon Stone is refusing to let society’s discomfort with aging dictate her self-worth. The 67-year-old actress recently used her Instagram platform to deliver a fiery, unfiltered message about the absurdity of being ashamed of our own humanity.

The post was sparked by a frustrating encounter in her art studio, where a filming crew requested that she move one of her paintings—a nude female figure titled The Goddess—out of the camera’s frame. Stone took this as a sign of a larger, more troubling cultural phobia.

In a video shared with her followers on Monday, February 16, Stone questioned why looking in the mirror should be an exercise in fear. She asked if it was supposed to be a secret that we perform basic human functions like brushing our teeth or using the bathroom, calling the idea that we should be afraid of our own selves the weirdest idea in the world.

Speaking about her own body, she noted that it is the place where she lives, sleeps, and exists every single day, famously comparing it to her apartment. Stone’s caption further challenged the double standards of modern media.

She wondered why, in the present year, the world remains so terrified of aging and the natural human form while being simultaneously bombarded with violence and other negativity day in and day out.

She urged her audience to get real, emphasizing that women are far more than just their physical appearance—they are artists, teachers, mothers, and healers whose value does not diminish with time.

This isn’t the first time the Casino star has championed the idea of loving a changing body. In a 2025 interview, she admitted that while she can joke about her underarms having pleats now, she chooses to view them as strong angel wings that allow her to paint.

She has been vocal about her disdain for those who feel embarrassed about getting older, previously labeling that mindset as stupid and ungrateful and reminding her fans that simply being alive and healthy is something to be celebrated.

Stone’s recent activity isn’t limited to social media advocacy; she is currently experiencing a major career revival. She recently starred as a ruthless crime boss in the action sequel Nobody 2, which hit theaters in August 2025 to positive reviews.

As of February, she is back on a film set in Atlanta, starring in David Mamet’s much-anticipated adaptation of his play Speed-the-Plow. In this Hollywood satire, she appears alongside Anthony Mackie and Ben Mendelsohn, proving that her presence on screen is as commanding as ever.

Beyond acting, Stone has fully embraced her identity as a visual artist. Since taking up painting seriously during the pandemic, she has held solo exhibitions across the globe, from Los Angeles to Berlin.

Her abstract acrylic works often explore themes of vulnerability and environmental catastrophe, and she was even a finalist for the 2025 Women in Art Prize. She recently shared that her brushstrokes are often inspired by the extra color and visual patterns she has seen everywhere since her life-threatening stroke in 2001, turning a past trauma into a vibrant new professional chapter.

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