Zach Cregger’s ‘Resident Evil’ Just Demolished a Box Office Record That Stood for 16 Years

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Horror reboots have a rough track record when it comes to living up to the box office legacy of the franchises they’re rebuilding, and few properties carry as much baggage as this one. “Resident Evil” had already burned through six live-action films and multiple creative reinventions before Zach Cregger ever entered the picture, giving this particular relaunch unusually high stakes for a director whose name had only recently become box office gold.

Those stakes appear to have paid off in dramatic fashion. Cregger’s version arrived carrying the momentum of “Weapons,” his Oscar-winning breakout from last summer, and early tracking throughout the week had already suggested this reboot was on pace to outperform every prior entry in the franchise’s 24-year history.

Zach Cregger’s “Resident Evil” has earned $26.3 million in the film’s domestic opening day, marking both the biggest single-day opening in the franchise’s history and the biggest opening of Cregger’s own career. That milestone lands the reboot in rare territory for a series that has spent two decades leaning more heavily on international grosses than domestic ones.

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The previous benchmark for the series belonged to 2010’s “Resident Evil: Afterlife,” which opened to $26.65 million across its entire three-day domestic opening weekend. Cregger’s reboot came close to matching that full weekend total in a single day alone, a gap that underscores just how differently this installment is performing compared to every film that came before it.

With Thursday previews already contributing $8.8 million to the opening day haul, industry trackers are now projecting a domestic opening weekend in the range of $53 million to $55 million, with some estimates climbing as high as $60 million depending on how the film holds through Saturday and Sunday. Either outcome would represent a career record for Cregger, surpassing “Weapons'” $43.5 million opening weekend from August 2025.

Unlike previous “Resident Evil” entries, which historically drew decent box office despite weak reviews, Cregger’s version is backed by genuinely strong critical reception. The film holds a 96% score from critics on Rotten Tomatoes alongside a 91-92% audience score, a B+ CinemaScore grade, and a 4.5 out of 5 rating on PostTrak, giving it the best overall reception any film bearing the “Resident Evil” name has ever received.

According to demographic data reported by Deadline, walk-up ticket purchases accounted for 54% of Friday’s business, with 46% of moviegoers citing the franchise itself as their draw and 37% citing Cregger specifically, an unusually high figure that reflects his growing pull as a director whose name alone now sells tickets. The audience skewed 66% male to 34% female.

Premium large-format and IMAX screenings are reportedly representing a significant share of the film’s overall grosses, adding further momentum heading into the weekend’s full tally. Sony opened the film across 3,684 North American locations, a wide release that positioned the reboot to capture as much of the opening weekend audience as possible right out of the gate.

With Cregger now holding the biggest opening of his career and “Resident Evil” finally shedding decades of mixed critical reception, the reboot looks set to reshape how the franchise is remembered going forward.

What do you think of Zach Cregger’s Resident Evil reboot?

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