Laika’s ‘Wildwood’ Eagle May Be the Most Complex Stop-Motion Puppet Ever Built

Fathom Entertainment

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Stop-motion animation has always been about patience, but LAIKA keeps finding new ways to raise the bar. The studio’s upcoming fantasy epic ‘Wildwood’ is being billed as its most ambitious project yet, and details about the film’s biggest puppet are now emerging. The golden eagle at the center of it all is turning into a talking point for animation fans.

Directed by Travis Knight, ‘Wildwood’ follows Prue McKeel, a 12-year-old girl whose infant brother is carried off by a murder of crows into a hidden, politically turbulent forest outside Portland, Oregon. Her rescue mission pulls her into a multi-species civil war. The film has a voice cast that includes Carey Mulligan, Mahershala Ali, Awkwafina, and Angela Bassett, and Tech Times describes it as the longest stop-motion animated feature ever made.

Bassett voices The General, the fierce leader of the Avian Principality, who rules the skies and carries Prue through them. That flying sequence demanded something far beyond LAIKA’s usual humanoid puppets. Replicating realistic bird flight in miniature meant a completely different scale of engineering.

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According to DiscussingFilm, citing a New York Times report, the golden eagle is one of the most complex stop-motion characters ever made. The puppet stands around 2 and a half feet tall with a 5-foot wingspan, and 3 puppets were built with over 12,000 feathers created across all of them. The post has drawn 225.5K views, 8.5K likes, and 851 reposts since going up on September 19.

The most striking detail is hidden from view. One puppet includes a breather, a mechanism that helped animators simulate inhaling and exhaling. It is the kind of subtle touch audiences may never consciously notice, yet it makes the character feel alive.

The image attached to the post captures the scale of the work. In one photo, an animator carefully adjusts the eagle in front of a blue screen, with a tiny figure of Prue on its back and a camera rig overhead. The second image shows the finished shot, with the pair soaring above the clouds at sunset.

Each feather had to be individually designed and installed by hand. That process alone represents an enormous investment of time across 3 separate builds. It is craftsmanship on a level that few productions ever attempt.

Fans who followed the film’s early marketing may notice that the numbers differ from what was shared before. When LAIKA released its first teaser last year, the studio said more than 9,000 hand-crafted feathers covered 2 puppets, one for flight and one for performance. A recent studio visit reported by The Nerds of Color described 3 puppets, with a flying version carrying more than 3,000 individually movable feathers.

The figures vary depending on the source and the stage of production, so the new count of over 12,000 likely reflects the full set of builds. That same visit noted that 1 flight puppet was mounted on a hexapod, much like the giant skeleton from ‘Kubo’, and placed on a gimbal for dynamic aerial movement. The technology behind the shot is as impressive as the artistry.

The timing is significant. ‘Wildwood’ will make its world premiere at the BFI London Film Festival on October 11, before opening in US theaters on October 23 through Fathom Entertainment. It will be the first stop-motion feature to open that festival.

For a studio that has spent nearly 2 decades pushing the medium, the eagle is a fitting symbol of its ambition. It shows how much physical effort goes into each moment of movement on screen. Audiences will soon get to judge whether that effort soars.

What makes you most excited to see LAIKA’s Wildwood?

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