All the TV Shows Leaving Netflix in October 2025

Saying goodbye is never fun, but a handful of favorites are cycling off Netflix over the next few weeks. If any of these are on your watchlist, now’s the moment to squeeze in a few episodes or finally start that series you’ve heard about. Below you’ll find quick, fact-focused rundowns—what each title is about, who’s in it, and who made it—plus the exact date each one leaves.

This guide is organized by the day each title departs, spanning Tuesday, September 30 through Wednesday, October 29. Dates are listed inside each entry so you can plan your last-chance viewing without hunting around.

‘Chappelle’s Show’ (2003–2006)

The sketch-comedy landmark created by Dave Chappelle and Neal Brennan blends character pieces, musical performances, and pointed social satire. Dave Chappelle hosts and stars, with recurring appearances from Donnell Rawlings and Charlie Murphy. The series originally ran on Comedy Central and features popular sketches that became cultural touchstones. It leaves Netflix on Tuesday, September 30.

Episodes were directed by a rotating team across its run, with Chappelle and Brennan serving as executive producers and principal writers shaping the show’s voice. Musical guests and short films are woven into the format, and the production was handled through Comedy Central’s in-house pipeline during its original broadcast window.

‘Rubble & Crew’ (2023– )

A preschool spin-off of ‘PAW Patrol’, this animated series follows Rubble and his construction-savvy family as they solve problems around Builder Cove. Produced by Spin Master Entertainment in partnership with Nickelodeon, the show features kid-friendly stories built around teamwork, tools, and vehicles. It leaves Netflix on Wednesday, October 1.

Voice talent brings the bulldog builder and crew to life across short, self-contained episodes aimed at early learners. The franchise’s creative team extends the established ‘PAW Patrol’ world, with episodes written and boarded to highlight social-emotional skills alongside light construction concepts.

‘White Collar’ (2009–2014)

The USA Network crime caper created by Jeff Eastin follows con artist Neal Caffrey, played by Matt Bomer, who teams up with FBI agent Peter Burke, played by Tim DeKay, to crack white-collar cases. The ensemble includes Willie Garson, Tiffani Thiessen, and Marsha Thomason across the series. It leaves Netflix on Wednesday, October 1.

Developed as a stylish procedural with serialized threads, the show’s writers balance case-of-the-week puzzles with ongoing arcs about art theft, forgeries, and trust. Episodes were directed by various television veterans, with Eastin shepherding the overall narrative and character development across six seasons.

‘Bonnie & Clyde’ (2013)

This two-part television miniseries dramatizes the lives of Depression-era outlaws Bonnie Parker and Clyde Barrow. Emile Hirsch and Holliday Grainger star as the infamous pair, with supporting roles that cover their criminal circle and the lawmen pursuing them. It leaves Netflix on Wednesday, October 1.

Directed by Bruce Beresford from a teleplay by John Rice and Joe Batteer, the production presents the duo’s crime spree from small-town Texas roots to nationwide notoriety. The miniseries blends period detail with a focus on the couple’s relationship, staging bank robberies, chases, and manhunts that mirror historical accounts.

‘Dragnet’ (1967–1970)

A revival of the original ‘Dragnet’, this police procedural centers on LAPD Sergeant Joe Friday, played by Jack Webb, and Officer Bill Gannon, played by Harry Morgan. Episodes are structured around the investigation of contemporary cases, presented in a matter-of-fact style with emphasis on procedure. It leaves Netflix on Wednesday, October 1.

Created by Jack Webb and produced by Mark VII Limited, the series employed a semi-documentary approach, with Webb often directing and narrating. Scripts drew on case files and public-information materials, culminating in the franchise’s signature closing that notes outcomes for the people involved.

‘Oktoberfest: Beer and Blood’ (2020)

Also known as ‘Oktoberfest 1900’, this German period drama is set in Munich at the turn of the 20th century, following a ruthless brewer, Curt Prank, as he schemes to dominate the festival. Mišel Matičević leads the cast, with central roles for characters from rival brewing families and the city’s political class. It leaves Netflix on Thursday, October 2.

Directed by Hannu Salonen, the series was created and written by a team including Ronny Schalk and Alexis Wittgenstein. The production blends historical backdrops with fictional intrigue—land deals, family loyalties, and sabotage—using the burgeoning beer industry as the engine for its power struggles.

‘Super Pumped: The Battle for Uber’ (2022)

An anthology drama from Brian Koppelman, David Levien, and Beth Schacter, Season 1—subtitled ‘The Battle for Uber’—chronicles the meteoric rise of the ride-hailing company and the leadership of CEO Travis Kalanick. Joseph Gordon-Levitt stars as Kalanick, with Kyle Chandler as venture capitalist Bill Gurley and Uma Thurman as Arianna Huffington. It leaves Netflix on Monday, October 6.

Based on the nonfiction book by Mike Isaac, the season tracks boardroom clashes, hyper-growth, and the cultural footprint of the app. Episodes were directed by multiple filmmakers, with a distinctive narration device and a cast portraying engineers, executives, and investors who shaped the company’s trajectory.

‘To the Lake’ (2019– )

This Russian thriller imagines a deadly epidemic sweeping Moscow and beyond, forcing a fractured group to flee toward a remote lake for refuge. Kirill Käro, Maryana Spivak, and Viktoriya Isakova star as members of the extended group navigating survival and shifting loyalties. It leaves Netflix on Tuesday, October 7.

Adapted from Yana Vagner’s novel ‘Vongozero’, the series was directed by Pavel Kostomarov, among others, and produced with location shoots that emphasize wintry landscapes and isolation. The writing balances tense survival scenarios with relationship drama, exploring moral choices under extreme pressure.

‘Shamwari Untamed’ (2018)

Set at South Africa’s Shamwari Private Game Reserve in the Eastern Cape, this wildlife docuseries follows conservation teams as they rescue, rehabilitate, and relocate animals. Episodes document veterinary interventions, anti-poaching efforts, and daily management of a major reserve. It leaves Netflix on Tuesday, October 7.

Produced on location with access to field operations, the series assembles real-time narratives around species such as rhinos, elephants, and big cats. The crew captures aircraft-assisted moves, bomas, and darting procedures, explaining why specific techniques are used to reduce stress and improve survival odds.

‘Click Click Bang’ (2023)

This Kenyan crime drama tracks the rise of a feared Nairobi hitman and the circumstances that push him into the city’s underworld. The series follows his early life, criminal apprenticeship, and the ripple effects of violence on family and community. It leaves Netflix on Tuesday, October 7.

Produced in East Africa with a local cast, the show weaves police investigations with gangland politics, staging shootouts and betrayals against recognizable Nairobi locations. The writing emphasizes socioeconomic pressures alongside the protagonist’s choices, structuring the narrative through flashbacks and intersecting timelines.

‘Abandoned’ (2012)

A factual series built around forgotten places, ‘Abandoned’ explores the histories of derelict buildings, shuttered factories, and empty public spaces. Each episode combines on-site exploration with archival context to explain how once-busy sites fell into disuse. It leaves Netflix on Wednesday, October 15.

The production frames each location as a case study—who funded it, what it produced, and the economic or policy shifts that led to closure. Crews document hazards, remaining equipment, and community memories, presenting a blend of urban history and industrial archaeology.

‘Some Assembly Required’ (2014–2016)

This Canadian live-action sitcom follows teen Jarvis Raines, who becomes CEO of Knickknack Toys and recruits classmates to help design and market new products. The main cast includes Kolton Stewart, Charlie Storwick, Harrison Houde, Sydney Scotia, and others across its ensemble. It leaves Netflix on Wednesday, October 15.

Created by Dan Signer and Howard Nemetz, the series features gadget-driven plots, recurring workplace gags, and episodic inventions that power the comedy. Produced for YTV with multi-camera staging, it leans on physical comedy, prop builds, and music cues typical of youth-focused network comedies.

‘Mythomaniac’ (2019–2021)

Titled ‘Mytho’ in French, this dramedy centers on Elvira, a suburban mother who, feeling invisible, lies about a cancer diagnosis—setting off consequences for her marriage, children, and friends. Marina Hands stars as Elvira, with Mathieu Demy among the ensemble portraying family dynamics under strain. It leaves Netflix on Wednesday, October 29.

Created by Anne Berest and Fabrice Gobert, the series blends intimate domestic scenes with the mounting logistics of maintaining a lie. Direction across the seasons underscores shifting viewpoints within the household, while the writing examines attention, identity, and the ethical fallout of deception.

Share your picks—what will you try to finish before it goes?