‘Avengers: Endgame’ Mistakes You’ll Never Be Able to Unsee

There is a lot going on in ‘Avengers: Endgame’, from time heists to a battlefield full of heroes. With so many moving parts, tiny continuity slips and visual errors inevitably sneak into the final cut. These do not change the story, but once you notice them, they tend to stand out the next time you watch.

This list gathers small but noticeable goofs that viewers have spotted on repeat viewings. Each entry points to a specific scene or detail so you can check it for yourself during your next rewatch. None of these are about interpretation or theory. They are concrete details that appear differently from shot to shot or that clash with established on screen information.

Hulk’s taco changes between shots

When the Benatar’s landing blast blows away Scott’s lunch outside the Avengers facility, Hulk later walks over and hands him a replacement. The number and size of the taco shells in Scott’s hands do not match across the quick cutaways. A full shell becomes a smaller one, then appears fuller again in the very next angle.

The hand positions and napkin placement shift as well. In one shot the napkin is tucked under the taco and in the next it is pinched on the side. The food level inside the shell also rises and falls between shots despite no one taking a bite.

The Stark gauntlet switches hands mid sequence

During the relay to keep the Nano Gauntlet away from Thanos, the prop seems to flip handedness in a few cuts. The glove is built to fit a right arm, which is clear when Hulk uses it earlier, but a couple of chase inserts briefly show a left handed silhouette.

When the camera returns to wider angles, the gauntlet is back to its right handed configuration. The finger plate orientation and thumb housing confirm the mismatch in those quick inserts compared with the consistent design seen elsewhere in the scene.

Captain America’s shield straps do not stay consistent

In the final fight, close ups show two leather straps with distinct buckles on Captain America’s shield. As the battle wears on, the buckle positions and the looseness of the forearm strap jump between shots even when there is no time for an adjustment.

The gouges Thanos makes also shift slightly from angle to angle. A deep notch visible near the upper rim in one close up moves closer to the center in the following medium shot, then returns to the rim when the camera cuts again.

Peter Parker’s classmates return the same age after five years

The film sets a five year jump after the events of ‘Avengers: Infinity War’. When Peter returns to school, key friends appear back in class at the same age. That detail contradicts what would happen to students who did not vanish, since those classmates would have advanced five school years during the gap.

This shows up again at the memorial and hallway scenes where returning students mix seamlessly with peers from before the snap. The on screen timeline makes it clear that half of the student body should be significantly older than the returning group, which is not reflected in those sequences.

Scott’s storage lot footage shows a conflicting date

When Scott Lang escapes the quantum realm and checks the security camera footage at the storage facility, the on screen timestamp does not align cleanly with the time jump established elsewhere. The month and year readout on the monitor conflicts with the later references to how long he has been missing.

The discrepancy is visible in the corner of the monitor overlay and can be paused to compare with dialogue that pins the time gap at five years. The mismatch creates a small continuity hitch between the prop graphic and the stated timeline.

Hawkeye’s sleeve and tattoo coverage jump in Tokyo

Clint’s first scene as Ronin takes place in the Tokyo rain. In the alley approach shot, his right sleeve rides high and reveals more of the skull themed tattoo on his arm. In the very next cut the sleeve sits lower and the visible ink coverage is reduced even though he has not changed position.

As the camera circles, the amount of water on the fabric and the shine on the exposed skin also shift between angles. The wetness level and sleeve length keep toggling, which makes the tattoo appear and disappear in inconsistent ways.

Rocket’s injector moves between hands in Asgard

When Rocket and Thor arrive in Asgard to retrieve the Aether, Rocket readies a compact extractor. Across a series of over the shoulder cuts, the device trades hands and flips orientation. The needle points outward in one shot and inward in the next without an intervening motion.

The grip position on the tool changes too. Rocket goes from a two handed hold to a single handed grip and back again within moments. The prop continuity does not line up across the alternating angles in that corridor.

The 1970 S.H.I.E.L.D. emblem does not match the era

During the 1970 trip to Camp Lehigh, signage and badges show a modern style S.H.I.E.L.D. eagle emblem. The sharper wing shape and updated circle treatment seen on doors and ID cards reflect a later design rather than the late sixties look used in earlier period scenes across the series.

Period labels on crates and lab glassware also carry the same newer emblem. The consistent use of that modern mark across multiple props suggests a production wide swap that does not fully fit the stated year of the sequence.

The Benatar’s exterior damage changes mid landing

When the Benatar returns to Earth at the Avengers facility, the ship’s hull shows burn scoring and panel dents in the approach shot. As it touches down and the ramp lowers, several of those marks lighten or vanish. The right side panel line that looks bent in the air becomes straight in the ground angle.

The paint chipping around the ramp frame also resets. A jagged patch next to the hinge is obvious in one shot and then appears smooth when the camera cuts to the reverse as the team disembarks. The continuity of the exterior damage does not remain the same across the landing sequence.

New Asgard signage appears with two different looks

When the story visits New Asgard, an entry sign appears on the roadside. In the first view the lettering and weathering have a rough, faded finish. In later shots the sign face looks cleaner and the letter spacing changes slightly, especially around the word spacing on the second line.

The small crest at the corner of the board also shifts position. It sits closer to the edge in one angle and farther in on the next pass by the same sign. The prop seems to have been swapped or reset between setups, creating a visible difference on screen.

Share the tiny goofs you have spotted in ‘Avengers: Endgame’ in the comments so everyone can look for them on their next rewatch.