Margaret Qualley’s Career: From ‘Palo Alto’ to ‘Happy Gilmore 2’

Margaret Qualley has quickly become one of Hollywood’s most interesting young actors. With a background in dance, she brings a unique physical presence to her roles. Her career started with small parts, but she soon proved she could handle much more. She has chosen a wide range of projects, from big-budget blockbusters to small indie films. This has allowed her to showcase her versatility and talent.

Qualley’s performances are often praised for their emotional depth and authenticity. She is known for taking on complex characters and bringing them to life in a compelling way. Whether she is playing a struggling mother, a cult member, or a do*ina*rix, she commits fully to the role. Her journey from a rising star to an established actor shows her dedication and skill, leading to highly anticipated future projects.

‘Palo Alto’ (2013)

Margaret Qualley made her feature film debut in ‘Palo Alto’. She played the minor role of Raquel, a high school student who has a crush on one of the main characters. The film is based on a collection of short stories by James Franco and explores the lives of a group of teenagers in California. It offers a dark and realistic look at teenage boredom and reckless behavior.

Although her screen time was limited, it was an important first step. The role placed her in a notable project directed by Gia Coppola. It was a starting point that introduced her to the world of independent filmmaking. This experience set the stage for the more significant roles that would soon follow in her career.

‘The Nice Guys’ (2016)

In the action-comedy ‘The Nice Guys’, Qualley played Amelia Kuttner. The character is a key part of the movie’s mystery, and her supposed death is the event that kicks off the investigation. The film stars Ryan Gosling and Russell Crowe as a pair of mismatched private investigators in 1970s Los Angeles. Amelia is portrayed as a young woman involved in political activism who fakes her own death.

This role gave Qualley more visibility in a major Hollywood production. She held her own alongside seasoned actors and showed her ability to handle a character with many layers. Her performance as the rebellious and mysterious Amelia was a memorable part of the film’s twisting plot. It proved she could be a compelling presence in a mainstream movie.

‘Novitiate’ (2017)

Qualley took on the lead role of Sister Cathleen Harris in ‘Novitiate’. The film is a drama about a young woman who begins to question her Catholic faith while training to become a nun in the 1960s. The story is set during the time of the Second Vatican Council, a period of major change in the Catholic Church. Her character struggles with her desires and her commitment to God.

Her performance was widely acclaimed by critics. Qualley powerfully conveyed the inner turmoil of a young woman caught between faith and doubt. The role required a great deal of emotional vulnerability and strength, which she delivered with incredible skill. ‘Novitiate’ established her as a serious dramatic actress capable of leading a film.

‘The Vanishing of Sidney Hall’ (2017)

In ‘The Vanishing of Sidney Hall’, Qualley played Alexandra, the childhood friend and eventual wife of the title character. The film follows a controversial novelist, Sidney Hall, at three different stages of his life. His relationships, particularly the one with Alexandra, are shown as a major influence on his writing and his personal struggles.

Qualley’s role is central to the film’s emotional core. She portrays the character with grace and sensitivity, serving as both a muse and a source of stability for the troubled protagonist. Her performance helps to ground the film’s non-linear narrative, providing a consistent and heartfelt presence throughout the story.

‘Death Note’ (2017)

In the Netflix adaptation of the popular manga ‘Death Note’, Qualley played Mia Sutton. Her character is the girlfriend of the main protagonist, Light Turner, who discovers a notebook that can kill anyone whose name is written inside it. Mia becomes fascinated with the notebook’s power and encourages Light to use it, pushing him toward a darker path.

The film received mixed reviews, but Qualley’s performance was a notable part of it. She portrayed Mia as a complex and manipulative character, different from her counterpart in the original source material. The role allowed her to explore a more villainous character, adding another dimension to her acting portfolio.

‘Donnybrook’ (2018)

Qualley appeared in the gritty drama ‘Donnybrook’ as Delia Angus. The film centers on a former Marine who enters a dangerous bare-knuckle fighting competition to win a cash prize for his family. Delia is the sister of a menacing meth dealer who is also entangled in the violent world of the competition.

Her character is a victim of circumstance, caught between her brother’s criminal activities and her own desire for a better life. Qualley delivers a raw and vulnerable performance in a dark and intense film. She effectively portrays the desperation and resilience of a woman trapped in a brutal environment.

‘Io’ (2019)

In the science-fiction film ‘Io’, Qualley starred as Samantha “Sam” Walden. She is a young scientist living alone on a post-apocalyptic Earth that has become toxic. While most of humanity has fled to a space colony on Jupiter’s moon Io, Sam stays behind, hoping to find a way for life to adapt and survive on Earth.

This lead role gave Qualley the opportunity to carry an entire film. Her character is intelligent, hopeful, and isolated, and she conveys these emotions with subtle skill. The movie relies heavily on her performance to create its contemplative and lonely atmosphere, and she succeeds in making Sam a compelling anchor for the story.

‘Native Son’ (2019)

Qualley took on the role of Mary Dalton in the HBO adaptation of Richard Wright’s classic novel ‘Native Son’. She plays the progressive-minded daughter of a wealthy Chicago family who hires the protagonist, Bigger Thomas, as their chauffeur. Mary’s attempts to befriend Bigger lead to a tragic event that changes both of their lives forever.

The role, though supporting, is pivotal to the story’s powerful social commentary. Qualley portrays Mary as a well-intentioned but naive person whose actions have unforeseen and devastating consequences. Her performance is crucial for setting up the central conflict of the film, which explores themes of race and class in America.

‘Adam’ (2019)

In the indie comedy-drama ‘Adam’, Qualley played Casey Freeman. The story follows the title character, a socially awkward teenager who spends a summer in New York City with his older sister. He meets Casey and develops a crush on her, but she mistakenly believes he is a transgender man, and he doesn’t correct her.

Qualley’s performance as Casey is warm and charismatic. She navigates a complicated premise with a performance that is both funny and empathetic. The film explores themes of identity and relationships within the LGBTQ+ community, and her character serves as a compassionate, if sometimes misguided, entry point into that world.

‘Once Upon a Time… in Hollywood’ (2019)

Qualley had a standout role as “Pussycat” in Quentin Tarantino’s ‘Once Upon a Time in Hollywood’. She played a free-spirited member of the Manson Family who catches the eye of Brad Pitt’s character, Cliff Booth. Her character is flirty and alluring but also has a subtly dangerous edge, embodying the strange vibe of the cult.

This role significantly raised her profile. Her charismatic performance was a highlight of the film and earned her praise from critics and audiences alike. Working with a legendary director like Tarantino and a star-studded cast put her in the spotlight. Her scene with Brad Pitt in the car is one of the movie’s most memorable moments.

‘Strange but True’ (2019)

In the thriller ‘Strange but True’, Qualley starred as Melissa Moody. Her character appears at the home of her deceased boyfriend’s family, five years after his tragic death. She shocks them with the news that she is pregnant and claims that the child is his, creating a mystery that unravels the family’s secrets.

Qualley drives the film’s suspenseful plot with her compelling performance. She plays Melissa with a mix of vulnerability and eerie certainty that keeps both the other characters and the audience guessing. The role required her to be the catalyst for the entire story, and she successfully carries the film’s dark and twisting narrative.

‘Seberg’ (2019)

In ‘Seberg’, a biographical film about actress Jean Seberg, Qualley played Linette Solomon. The film focuses on how the actress was targeted by the FBI in the late 1960s because of her support for the Black Panther Party and her relationship with activist Hakim Jamal. Linette is the wife of one of the FBI agents assigned to surveil Seberg.

This supporting role placed Qualley in another prestigious project alongside a strong cast led by Kristen Stewart. As Linette, she represents the perspective of someone who becomes disillusioned with the government’s invasive tactics. Her character’s arc adds a personal, human element to the political thriller’s storyline.

‘Fosse/Verdon’ (2019)

In the FX limited series ‘Fosse/Verdon’, Qualley portrayed Ann Reinking, a real-life dancer and actress who was a protégée and romantic partner of director-choreographer Bob Fosse. The series explores the creative and personal partnership between Fosse and dancer Gwen Verdon. Qualley’s background as a dancer was perfect for the role.

Her performance earned her an Emmy nomination for Outstanding Supporting Actress. She expertly captured Reinking’s distinct dancing style and her complicated relationship with Fosse. The role allowed her to combine her acting and dancing talents, resulting in a captivating and authentic portrayal of a Broadway legend.

‘My Salinger Year’ (2020)

Qualley took the lead role of Joanna Rakoff in ‘My Salinger Year’. Based on a memoir, the film follows Joanna, an aspiring poet who gets a job as an assistant to J.D. Salinger’s literary agent in New York City. Her main task is to respond to the reclusive author’s vast amount of fan mail with a generic form letter.

She carries the film with a charming and relatable performance. Qualley captures the journey of a young artist finding her own voice while working in the shadow of a literary giant. The role showcases her ability to lead a story with a quiet and thoughtful presence, portraying Joanna’s growth with warmth and intelligence.

‘Maid’ (2021)

Qualley delivered a powerful leading performance in the Netflix miniseries ‘Maid’. She played Alex, a young mother who escapes an abusive relationship and takes a job as a house cleaner to provide for her daughter. The series is based on Stephanie Land’s memoir and shines a light on poverty and resilience. Qualley starred opposite her real-life mother, Andie MacDowell, who played her character’s mother.

The role earned her widespread critical acclaim, including Golden Globe and Emmy nominations. Qualley’s portrayal of Alex’s struggle was raw, heartbreaking, and ultimately hopeful. She carried the series with a performance that was both subtle and incredibly strong, cementing her status as a leading actress.

‘Stars at Noon’ (2022)

In Claire Denis’s romantic thriller ‘Stars at Noon’, Qualley played Trish Johnson. The character is a young American journalist stranded in present-day Nicaragua. She gets involved in a dangerous relationship with a mysterious Englishman as they both try to escape the country. The film is a tense and atmospheric story about survival and trust.

Qualley’s performance was a key element of the film’s intense mood. She effectively portrayed a character who is both vulnerable and resourceful, navigating a desperate situation. The role required her to convey a sense of constant unease and passion, showcasing her ability to thrive in complex, character-driven dramas.

‘Sanctuary’ (2022)

Qualley starred opposite Christopher Abbott in ‘Sanctuary’, a psychological thriller that takes place almost entirely in one hotel room. She played Rebecca, a do*ina*rix, and Abbott played her wealthy client, Hal. The film explores the power dynamics between them when Hal tries to end their professional relationship. Qualley also served as an executive producer on the film.

The film is essentially a two-person play, and Qualley’s performance is electric. She masterfully switches between control and vulnerability, keeping the audience guessing about her character’s true motives. The role was a bold choice that demonstrated her range and fearlessness as a performer.

‘Poor Things’ (2023)

In Yorgos Lanthimos’s acclaimed film ‘Poor Things’, Qualley had the supporting role of Felicity. The film is a surreal and fantastical story about a young woman brought back to life by a mad scientist. While Emma Stone’s character is the central focus, Qualley’s role is part of the strange world Lanthimos created. Felicity is another one of the scientist’s experiments.

Even in a smaller role, Qualley made an impression. Working with a distinctive director like Lanthimos added another prestigious project to her filmography. The film went on to receive numerous awards, further highlighting her excellent taste in choosing unique and artistically ambitious projects.

‘Drive-Away Dolls’ (2024)

Qualley co-starred in Ethan Coen’s comedy caper ‘Drive-Away Dolls’ as Jamie Dobbs. The film follows Jamie, an uninhibited free spirit, and her more reserved friend Marian as they embark on an impromptu road trip to Florida. They accidentally end up with a briefcase that a group of criminals is after, leading to a series of chaotic and hilarious events.

Playing Jamie, Qualley showcased her comedic timing and energetic screen presence. She brought a wild and carefree charm to the character, creating great chemistry with her co-star Geraldine Viswanathan. The role proved that she is just as comfortable in a lighthearted, fast-paced comedy as she is in heavy dramas.

‘Kinds of Kindness’ (2024)

Reuniting with director Yorgos Lanthimos, Qualley appeared in the triptych film ‘Kinds of Kindness’. The movie tells three separate stories with the same cast of actors playing different characters in each one. Qualley plays Vivian, Martha, Ruth, and Rebecca across the different segments. The film explores themes of control, free will, and the strange nature of human relationships.

This project allowed Qualley to display her incredible versatility within a single film. She adapted to completely different roles and tones in each of the movie’s three parts. Her performances alongside a talented ensemble cast contributed to the film’s bizarre and thought-provoking narrative.

‘The Substance’ (2024)

In the body horror film ‘The Substance’, Qualley stars alongside Demi Moore. The film is about a new product that promises to generate a younger, more perfect version of oneself. Qualley plays Sue, the “better” version of Moore’s character, Elisabeth Sparkle. The story explores themes of aging, beauty standards, and the dark side of seeking perfection.

The film received major buzz at the Cannes Film Festival for its bold and graphic content. Qualley’s role is central to the film’s shocking and powerful story. She delivers a physically demanding performance that is both alluring and terrifying, making the film one of the most talked-about of the year.

‘Blue Moon’ (2025)

Qualley stars in ‘Blue Moon’, a biographical film focusing on the tragic life of Lorenz Hart, the lyricist from the iconic songwriting duo Rodgers and Hart. She portrays Elizabeth Weiland in this look at the artist’s personal struggles, including his closeted homosexuality and battle with alcoholism, set against the backdrop of his creative genius.

This role sees Qualley returning to a period drama, showcasing her ability to inhabit characters from different eras. The film explores the complex relationships in Hart’s life, and her performance provides a key emotional perspective on the celebrated but deeply troubled lyricist. It adds another layer to her growing portfolio of serious, character-driven work.

‘Honey Don’t!’ (2025)

In ‘Honey Don’t!’, Qualley once again teams up with director Ethan Coen. She plays the title role of Honey O’Donahue in this mystery film set in Bakersfield, California. The story follows a private investigator who is looking into the disappearance of a German movie star, which leads him to Honey, a mysterious woman who knows more than she lets on.

The film allows Qualley to dive into the world of crime and intrigue with a comedic edge. Starring alongside Chris Evans and Aubrey Plaza, she takes on a pivotal role that drives the central mystery. Her character is a key piece of the puzzle in this quirky and stylish story.

‘Happy Gilmore 2’

Qualley joins the cast of the highly-anticipated sequel ‘Happy Gilmore 2’. She stars opposite Adam Sandler, who reprises his iconic role as the hot-tempered hockey player-turned-golfer. In the film, she plays a determined and skilled golf pro who becomes a rival, and eventual love interest, to Happy on the senior PGA tour.

This role marks a significant move into mainstream comedy for Qualley. She brings her signature charm and energy to the beloved franchise, creating a fun and dynamic chemistry with Sandler. Her character is a fresh addition to the story, challenging Happy both on and off the golf course and proving her talent extends to large-scale comedies.

Let us know which Margaret Qualley performance has been your absolute favorite so far.