MCU Star Elizabeth Olsen’s Never-Before-Seen Dior Portraits Remind Fans Why the Pairing Just Works
Elizabeth Olsen and Dior have been connected for a long time. Years ago, at the Tokyo premiere of ‘Avengers: Age of Ultron,’ she wore a black silk faille Dior dress with black pointed pumps and Dior Fine Jewelry white gold and diamond pieces. She also wore an off-the-runway Dior Couture look, designed by Maria Grazia Chiuri, to a New York screening of ‘Wind River’ less than a month after it debuted on the runway.
The relationship has also gone beyond the red carpet. Olsen attended the Christian Dior Haute Couture Spring/Summer 2015 show in Paris, and for the premiere of Netflix’s ‘Kodachrome,’ she chose a crisp white wool and silk crepe Christian Dior suit that Red Carpet Fashion Awards praised for its modern, sophisticated feel.
Now fans have a fresh look at that partnership thanks to someone behind the scenes. Celebrity makeup artist and hairstylist Ashleigh Carpenter shared a set of archival images on Instagram showing her work on Olsen for Dior, explaining that they were the last photos from the session that had never been released. Carpenter noted that she created the makeup and hair using Dior Beauty products.
The images show a deliberately understated look. Olsen wears a dark navy silk button-up shirt with the sleeves pushed up and the collar open, paired with a pleated dark skirt, a gold bracelet, and an embellished white clutch. Her long, soft, side-parted waves and smoky, glowing makeup complete the polished but relaxed style.
These portraits also arrive as fans continue to revisit one of Olsen’s most talked-about performances. In HBO’s ‘Love & Death,’ created by David E. Kelley, she played Candy Montgomery, the real woman at the center of a 1980 murder case in Texas. The role earned Olsen her 2nd Golden Globe nomination.
The part required intense preparation. Olsen said she spent about 2 or 3 months the summer before filming trying to understand how Montgomery spoke and moved through the world. She also said she was drawn less to the true crime aspect and more to the relationships and world Kelley had created.
The series also allowed her to discuss her approach to difficult material. In a conversation on Variety’s Awards Circuit Podcast, the Emmy nominee explained that she approaches intimate scenes as choreography, saying, “I was a dancer, so I think of any intimate scene as choreography.” Variety also reported that she felt the show came at the right time, after she had played Wanda for 2 straight years and then promoted the role for another year.
Part of the appeal is how natural the images feel. Instead of a heavily styled campaign, Carpenter’s photos feel like private moments from a session, showing the effortless side of Olsen that has always made her a strong match for Dior’s refined aesthetic.
The Dior Beauty connection gives the post extra meaning for beauty fans. By noting that the look was created entirely with Dior products, Carpenter’s caption turns the portraits into both a behind-the-scenes treat and a subtle showcase for the brand.
Her history with the fashion house also makes these images feel like part of a longer story. From premieres and screenings to Paris front rows, Olsen has returned to Dior again and again, and this archival release offers one more look at why.
What do you think of Elizabeth Olsen’s never-before-seen Dior portraits?
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