‘See For Me’ and Every Other Movie and TV Show Leaving Netflix This Week

It’s that time again—titles are rotating out and a few gems are about to vanish from your queue. Below is a clear rundown of what’s leaving between Monday, October 6 and Sunday, October 12, with key plot points and core credits so you can decide what to watch before it disappears. You’ll find the exact day each title leaves inside its entry.

From a contained home-invasion thriller and a boardroom biopic series to a Russian survival drama, a conservation docuseries, a French music documentary, and a boisterous animated adaptation, there’s a little of everything. If one of these has been waiting on your list, use the details below to jump in before it’s gone.

‘See for Me’ (2021)

This Canadian home-invasion thriller centers on Sophie, a former competitive skier who is blind and working as a house-sitter at a remote mansion when burglars break in; she uses a smartphone assistance app that connects her to a remote guide to navigate the crisis. Directed by Randall Okita and written by Adam Yorke and Tommy Gushue, it stars Skyler Davenport as Sophie, with Jessica Parker Kennedy as the remote guide who talks her through the unfolding danger; the ensemble includes additional roles tied to the intruders and the home’s owner.

The story is structured around a single location and a real-time escalation as Sophie and her guide coordinate tactics via the app, using floor plans, camera feeds, and on-the-fly strategy. Key production elements include the film’s emphasis on sound-driven suspense and the interplay between the two leads, with supporting appearances rounding out the cat-and-mouse setup before it departs on Monday, October 6.

‘Super Pumped: The Battle for Uber’ (2022)

Season 1 of this anthology dramatizes the early years of a major ride-hailing company—its hypergrowth, regulatory clashes, and high-stakes boardroom battles—adapting reporting from Mike Isaac’s nonfiction book ‘Super Pumped: The Battle for Uber.’ Developed by Brian Koppelman, David Levien, and Beth Schacter, it features Joseph Gordon-Levitt as CEO Travis Kalanick, Kyle Chandler as investor Bill Gurley, and Uma Thurman as board member Arianna Huffington, with an omniscient narrator stitching together the timeline.

Across the season, episodes track recruiting pushes, funding rounds, cultural flashpoints, and leadership showdowns, mapping character arcs to well-known milestones in the company’s trajectory. The production leans on sharp, boardroom-driven dialogue, a large supporting cast of executives and engineers, and a chronology that follows key product and policy decisions before it exits on Monday, October 6.

‘To the Lake’ (2019)

This Russian survival drama follows multiple families fleeing Moscow after a fast-spreading respiratory illness destabilizes the city, forcing a convoy north toward an isolated lakeside refuge. Based on Yana Vagner’s novel ‘Vongozero,’ the series stars Kirill Käro as Sergey, Maryana Spivak as Anna, and Viktoriya Isakova as Irina, alongside a broader ensemble that includes friends, ex-partners, and children whose relationships complicate every move.

Episodes focus on road logistics, scarce supplies, and shifting group dynamics as the travelers negotiate trust, territory, and weather hazards on backroads and forests. Direction and writing emphasize grounded survival detail—vehicle maintenance, food planning, and moral trade-offs—while the narrative keeps returning to the core family unit and its frayed alliances before it departs on Tuesday, October 7.

‘Click Click Bang’ (2023)

This crime drama tracks a young man whose life is upended by violence, following the ripple effects of one pivotal incident across his family, friends, and neighborhood. Structured as a serialized story with a tight focus on cause-and-effect, it uses an ensemble of allies and antagonists—street crews, investigators, and community figures—to map how loyalties and rivalries harden under pressure.

Over its episodes, the series connects personal choices to systemic forces, interweaving home life and street conflicts with ongoing police inquiries. The production emphasizes grounded locations and recurring character beats—confidants, mentors, and rivals—that drive the central arc toward confrontations and reckonings before it exits on Tuesday, October 7.

‘Shamwari Untamed’ (2018)

Set at South Africa’s Shamwari Game Reserve, this wildlife docuseries follows veterinarians, rangers, and conservation teams during day-to-day operations such as wildlife rescues, animal relocations, and anti-poaching responses. Episodes take viewers behind the scenes of procedures like dehorning for rhino protection, darting and transport planning, and rehabilitation efforts for injured animals.

Field segments highlight the logistics of moving large mammals, the veterinary protocols used in the bush, and the data-driven decisions that shape herd management and habitat care. The series combines on-the-ground footage with explanatory briefings from staff to show how coordinated teams implement conservation plans before it departs on Tuesday, October 7.

‘Bigflo & Oli: Hip Hop Frenzy’ (2020)

This documentary profiles French rap duo Bigflo & Oli—brothers Florian Ordoñez and Olivio Ordoñez—through writing sessions, rehearsals, and performances, tracing their path from local stages in Toulouse to large-scale shows. The film captures studio workshopping of lyrics and beats, family influences, and collaborations with their circle of producers and musicians.

Concert and backstage footage is intercut with interviews that break down how songs evolve from early drafts to tour versions, including arrangement tweaks, live band changes, and setlist planning. The portrait also touches on their bilingual wordplay, visual concepts for stage design, and the role of longtime collaborators before it exits on Thursday, October 9.

‘Captain Underpants: The First Epic Movie’ (2017)

This animated feature adapts Dav Pilkey’s series about best friends George Beard and Harold Hutchins, who accidentally hypnotize principal Mr. Krupp into superhero alter-ego ‘Captain Underpants.’ Directed by David Soren from a screenplay by Nicholas Stoller and produced by DreamWorks Animation, the voice cast includes Kevin Hart as George, Thomas Middleditch as Harold, Ed Helms as Mr. Krupp/Captain Underpants, Jordan Peele as Melvin, and Nick Kroll as Professor Poopypants.

The adaptation pulls in recurring book elements—“flip-o-rama” gags, school-wide pranks, and a science-fair calamity—while expanding set pieces around an invention-gone-wrong and a showdown with the villain’s classroom contraptions. Production credits include editorial and music teams that keep the pace brisk and the set pieces tightly timed before it departs on Friday, October 10.

Tell us which one you’re queuing up before it leaves, and share your thoughts in the comments!