Top Actors With Over 200 Role In Films

Hollywood has always had room for tireless performers who keep showing up on screen year after year. Crossing the 200 mark in film roles takes a rare mix of staying power, versatility, and a willingness to work across every kind of production schedule. Some did it as beloved stars, others as indispensable character actors, and many built their totals through a steady stream of supporting parts.

This list focuses on Hollywood names whose filmographies pushed past that huge milestone. You will find long careers that bridge silent and sound eras, studio systems and modern indies, live action and animation, plus plenty of cross-genre work. Each entry highlights the scope of their film output and a few titles that help map their journeys.

John Carradine

John Carradine appeared in well over two hundred films, building his total through studio pictures, low budget programmers, and later independent productions. He worked from the 1930s through the 1980s and often accepted multiple assignments within the same season to keep an unusually high release pace.

His credits include ‘Stagecoach’, ‘The Grapes of Wrath’, and ‘House of Dracula’. He also turned up in westerns, horror cycles, and historical adventures, frequently collaborating with directors who valued his distinct voice and presence.

Mickey Rooney

Mickey Rooney cleared the two hundred film mark across a career that began in the silent era and stretched into modern features. He moved easily between lead roles and character parts, which kept his film count climbing across several decades of studio changes.

You can spot him in films such as ‘Boys Town’, ‘National Velvet’, and ‘The Black Stallion’. He also anchored long running series entries while continuing to accept smaller roles in ensemble casts to maintain a steady output.

Christopher Lee

Christopher Lee surpassed two hundred feature appearances by combining British productions with sustained Hollywood work. He built his early totals in horror and later expanded into fantasy and action franchises that added major studio titles to his list.

Key films include ‘The Wicker Man’, ‘The Lord of the Rings’, and ‘Star Wars: Attack of the Clones’. He also recorded voice roles for animated features and worked in European co productions, which further increased his filmography.

James Hong

James Hong’s film tally moved well past two hundred through a mix of Hollywood studio releases, independent features, and animated films. He has stayed active for decades by taking memorable supporting parts that fit into a wide range of genres.

His film credits include ‘Big Trouble in Little China’, ‘Blade Runner’, and ‘Everything Everywhere All at Once’. He regularly joins ensemble casts and continues to add roles across comedy, action, and drama.

Danny Trejo

Danny Trejo built more than two hundred film roles by working across action, crime, and comedy. He often balances larger supporting parts with quick appearances that allow him to participate in many releases within a single year.

Look for him in ‘Heat’, ‘Machete’, and ‘From Dusk Till Dawn’. He also appears in international co productions and streaming era features, which keeps his film count growing across different distribution models.

Eric Roberts

Eric Roberts has compiled several hundred film roles by combining studio projects with an especially large number of independent titles. He often shoots back to back and accepts roles of varied size, which contributes to his unusually high output.

His films include ‘Runaway Train’, ‘The Dark Knight’, and ‘The Expendables’. He also works in genre pictures and festival circuit features, adding dozens of credits across crime, thriller, and drama each decade.

Frank Welker

Frank Welker easily cleared two hundred film roles through voice work in Hollywood features. His career spans animated tentpoles, live action productions that require creature effects, and a long list of direct to video films that count toward his total.

You can hear his work in films such as ‘Aladdin’, ‘Transformers’, and ‘Scoob’. He frequently provides multiple characters within the same project and returns to long running franchises that release new entries on a regular basis.

Richard Riehle

Richard Riehle moved past two hundred film roles as a dependable character actor in Hollywood. He keeps a full calendar by taking supporting parts that fit into comedies, dramas, and thrillers, often filming several features in quick succession.

His credits include ‘Office Space’, ‘Glory’, and ‘Halloween II’. He also appears in holiday films, biopics, and ensemble indies, which helps keep his filmography both large and varied.

Charles Lane

Charles Lane accumulated over two hundred film appearances across the classic studio era and beyond. He specialized in brief but unforgettable supporting turns that allowed him to appear in multiple features within the same release window.

His films include ‘It’s a Wonderful Life’, ‘Mr. Smith Goes to Washington’, and ‘Arsenic and Old Lace’. He often played clerks, lawyers, and officious authority figures, roles that recur across decades of Hollywood output.

Ward Bond

Ward Bond crossed the two hundred film threshold through steady work in westerns, war films, and dramas. He appeared in many productions led by top directors and stars, building a deep list of supporting roles.

You can find him in ‘The Searchers’, ‘The Maltese Falcon’, and ‘It’s a Wonderful Life’. He frequently joined ensembles that shot on tight schedules, which helped grow his number of feature credits year after year.

Bess Flowers

Bess Flowers appeared in hundreds of films and is widely recognized for an unmatched volume of Hollywood screen work. Many roles are uncredited society or party scenes, yet they are all film appearances that contribute to her record setting total.

Her credits touch films like ‘Sunset Boulevard’, ‘Rear Window’, and ‘The Apartment’. She worked with a long list of directors and production units, often appearing in multiple features released within the same month.

Oliver Hardy

Oliver Hardy exceeded two hundred films by starting in silent era shorts and continuing through popular features. His early solo work and later teamings both added heavily to a filmography that grew quickly under studio contracts.

Representative titles include ‘The Music Box’, ‘Way Out West’, and ‘Sons of the Desert’. He combined physical comedy with character business that played well in short subjects and feature length films, which helped push his totals upward.

Wallace Beery

Wallace Beery built a film list of more than two hundred titles from silent pictures through sound era hits. He alternated between leading roles and strong supporting turns, which kept him on frequent release schedules.

His films include ‘The Champ’, ‘Grand Hotel’, and ‘Viva Villa’. He worked across adventure, melodrama, and comedy while maintaining a high rate of production under studio contracts.

Lionel Barrymore

Lionel Barrymore cleared two hundred film roles through a career that bridged silent and sound films. He worked as both a leading man and a character actor, which helped him stay in constant demand.

Notable appearances include ‘Grand Hotel’, ‘It’s a Wonderful Life’, and ‘You Can’t Take It with You’. He often collaborated with the same studios across multiple seasons, adding to his total with consistent output.

Eugene Pallette

Eugene Pallette passed the two hundred film mark by moving from silent films to talkies without losing momentum. He became a reliable presence in comedies and dramas, which kept him working continuously.

His credits include ‘The Adventures of Robin Hood’, ‘Mr. Smith Goes to Washington’, and ‘My Man Godfrey’. He fit smoothly into ensemble casts and supported top billed stars across a wide range of productions.

Tom Mix

Tom Mix starred in more than two hundred films, mostly westerns produced during the silent era. He performed extensive riding and stunt work, which made his features especially marketable and prolific under studio schedules.

Look for titles like ‘The Great K&A Train Robbery’, ‘The Miracle Rider’, and ‘Riders of the Purple Sage’. His films were released at a rapid pace, often with multiple entries in a single year that pushed his totals higher.

Hoot Gibson

Hoot Gibson’s filmography surpasses two hundred titles, built primarily through silent and early sound westerns. He maintained a strong release cadence by working with recurring crews and producers who specialized in fast turnaround features.

His films include ‘The Boomerang’, ‘The Long Chance’, and ‘Mounted Stranger’. He also appeared in rodeo themed stories and serial style adventures that kept audiences returning for frequent new releases.

Bob Steele

Bob Steele logged over two hundred films with a long run of B westerns and later character parts in larger productions. He maintained a steady stream of work by aligning with studios that produced genre features on tight schedules.

He appears in films such as ‘Rio Bravo’, ‘The Big Sleep’, and ‘Hoppy Serves a Writ’. He balanced leading roles in lower budget pictures with supporting turns in bigger titles to keep his totals high.

Harry ‘Snub’ Pollard

Snub Pollard surpassed two hundred films through silent shorts and later features. He worked continuously in comedy, which lent itself to frequent releases that quickly add up in a filmography.

His credits touch films like ‘It’s a Gift’, ‘The Freshman’, and ‘Hollywood Cavalcade’. Many appearances are brief, yet they are film roles that contributed to a very large on screen record.

Harry Carey Sr.

Harry Carey Sr. moved past two hundred films by starring in and supporting numerous westerns. He began in the silent period and carried that productivity into the sound era with roles that drew on his frontier persona.

You can see him in ‘Red River’, ‘Mr. Smith Goes to Washington’, and ‘Straight Shooting’. He often collaborated with directors who specialized in outdoor stories and kept a steady pace of releases.

J. Farrell MacDonald

J. Farrell MacDonald appeared in more than two hundred films and worked across comedy, drama, and westerns. He built his total by accepting consistent supporting parts that fit efficiently into studio production schedules.

His film appearances include ‘The Quiet Man’, ‘Sullivan’s Travels’, and ‘The Maltese Falcon’. He frequently played policemen, bartenders, and townsmen, roles that recur throughout classic Hollywood.

Irving Bacon

Irving Bacon cleared the two hundred film mark with a constant presence in Hollywood ensembles. He became a go to face for service workers and neighbors, which allowed him to show up in many films each year.

He can be found in ‘It Happened One Night’, ‘The Best Years of Our Lives’, and ‘A Star Is Born’. He worked for multiple studios at once and often filmed brief scenes that slotted into busy production calendars.

Tom London

Tom London amassed well over two hundred films, largely in westerns that required steady casts of deputies, ranch hands, and townspeople. He worked in both silent and sound eras to keep his totals rising.

His credits include ‘Stagecoach’, ‘The Man Who Shot Liberty Valance’, and ‘The Ox-Bow Incident’. He frequently appeared in series westerns and quick turnaround productions that depended on reliable character players.

Udo Kier

Udo Kier moved past two hundred films by combining European art house work with a long run of Hollywood features and indies. He accepts roles of every size, which enables participation in many releases each year.

He appears in films such as ‘Blade’, ‘Armageddon’, and ‘My Own Private Idaho’. He also turns up in horror, comedy, and experimental projects that shoot in Los Angeles and across the United States.

Tell us who else you think belongs on this Hollywood-only list and which films best showcase their careers in the comments.