Top 10 Razzie Winning Movies We Secretly Love

Everyone knows the Razzies exist to roast cinematic misfires, yet some of those infamous winners keep finding new audiences on TV, streaming, and midnight screenings. They feature stars at surprising career moments, bold swings that missed the mark, and soundtracks or set pieces that still get talked about years later. Here are ten Razzie winners that continue to pop up in conversations, rewatches, and guilty-pleasure queues for reasons that go beyond the trophies they took home.

‘Showgirls’ (1995)

Paul Verhoeven’s Las Vegas drama won Worst Picture and several other Razzies after a high-profile NC-17 release. The film follows a newcomer who navigates revue shows, backstage rivalries, and aggressive promotion tactics on the Strip. Elizabeth Berkley and Gina Gershon headline a cast that leans into choreography-heavy numbers and elaborate stage production design. Home video and repertory screenings boosted its afterlife, with special editions and anniversary events keeping it in circulation.

‘Cats’ (2019)

This adaptation of the long-running stage musical collected multiple Razzies including Worst Picture after a swift theatrical turnaround. The movie translates T. S. Eliot’s character poems into CG-assisted performances with ensemble vocals and large-scale dance sequences. Its release featured a patched visual-effects update that studios sent to theaters shortly after opening weekend. The soundtrack and choreography remain central draws for fans of the original show and cast recordings.

‘Gigli’ (2003)

Ben Affleck and Jennifer Lopez star in a crime-romance that won Worst Picture amid heavy tabloid attention. The plot centers on a small-time enforcer whose assignment collides with a kidnapping scheme and an unlikely partnership. Production history notes reshoots and a reworked ending designed to pivot the tone toward a love story. Its Razzie sweep became a case study in star-driven marketing and release timing during a crowded late-summer slate.

‘Howard the Duck’ (1986)

Produced by George Lucas, this comic-book adaptation won Worst Picture after blending animatronics with live-action adventure. The story follows an extraterrestrial duck who lands in Cleveland and teams up with a rock musician while facing a dimensional threat. Industrial Light and Magic’s creature effects and miniatures showcase mid-80s practical techniques. The film’s merchandising and tie-in comics extended its footprint beyond the initial box office run.

‘Hudson Hawk’ (1991)

Bruce Willis headlines a heist caper that won Razzies after audiences met its song-timed robberies and slapstick tone with mixed reactions. The narrative sends a safecracker across Europe chasing Da Vinci artifacts while avoiding rival thieves and the CIA. Notable set pieces include museum infiltrations and gadget-driven escapes coordinated to recognizable pop tunes. Its production combined location shooting in Italy with stylized sets that emphasize comic-book scale.

‘Battlefield Earth’ (2000)

Adapted from L. Ron Hubbard’s novel, this sci-fi film was a Razzie juggernaut and later picked up a Worst Picture of the Decade distinction. John Travolta leads the cast in a story about human resistance under alien occupation a millennium after conquest. The movie’s signature look uses canted angles, green-tinted grading, and oversized production design for alien strongholds. Its VFX pipeline and sound mix reflect early-2000s digital workflows that studios were rapidly scaling.

‘The Last Airbender’ (2010)

M. Night Shyamalan’s live-action take on the animated series won Worst Picture while condensing the first book’s storyline into a single feature. The film traces Aang’s journey with Katara and Sokka across elemental nations threatened by imperial expansion. Large-scale sets, wire work, and CG bending effects anchor its action sequences and worldbuilding. Post-conversion 3D was used in release, a common studio strategy at the time to broaden premium formats.

‘Wild Wild West’ (1999)

This steampunk western won Worst Picture following a big Independence Day weekend rollout. Will Smith and Kevin Kline play federal agents tracking a rogue inventor whose war machines threaten the post–Civil War United States. The production is known for practical mechanical builds, including a large animatronic spider used in the climax. Its soundtrack and music video campaigns were prominent parts of the marketing push.

‘Striptease’ (1996)

Demi Moore leads a Florida-set crime story that won Worst Picture after a high-visibility summer release. The plot involves a mother working in a nightclub while battling a custody dispute and exposing political corruption. Filming used real South Florida locations and staged choreographed routines that align with the club setting. The movie’s marketing emphasized its star salary milestone and soundtrack tie-ins during promotion.

‘Jack and Jill’ (2011)

Adam Sandler’s dual-role comedy made Razzie history by winning in every category that year. The story centers on sibling dynamics during a holiday visit that spirals into endorsement deals and Hollywood cameos. Production leaned on Los Angeles locations, studio interiors, and commercial parody segments tied to a fictional ad campaign. The film’s awards sweep became a recurring reference point in discussions of parody, star personas, and studio-brand comedies.

What other Razzie winners do you keep rewatching anyway? Drop your picks in the comments.