Worst Movies of 2025

The film landscape in 2025 featured a high volume of releases that failed to meet the expectations of critics and viewers alike. Many major studio productions struggled with narrative coherence and visual polish during their theatrical or streaming runs. This collection highlights the fifty movies that faced the most significant backlash throughout the year for various reasons. These entries represent the projects that occupied the lower end of the critical spectrum and sparked intense debate among cinema fans.

Mission: Impossible – The Final Reckoning (2025)

Ethan Hunt returns for another high stakes mission involving an advanced artificial intelligence that threatens global security. Reviewers noted that the franchise is beginning to show signs of fatigue with increasingly convoluted plot twists and character motivations. While the stunts remain impressive the emotional weight of the story felt diminished compared to previous installments. Some fans expressed disappointment with the open ended conclusion that left too many questions unanswered for a major finale.

‘Avatar: Fire and Ash’ (2025)

The third entry in this science fiction saga explores the volcanic regions of Pandora and introduces a more aggressive tribe of Na’vi. Critics praised the technical achievements in visual effects but found the underlying story to be a repetitive version of earlier themes. The dialogue was frequently cited as being overly simplistic and lacking the depth required for an epic of this scale. Many viewers felt that the film relied too heavily on spectacle at the expense of meaningful character development.

‘Superman’ (2025)

This superhero reboot attempts to establish a new version of the iconic character within a broader cinematic universe. The story focuses on a younger hero trying to balance his alien heritage with his life as a reporter in Metropolis. Reviewers mentioned that the tone felt inconsistent as it shifted between lighthearted optimism and dark action sequences. Several critics argued that the central conflict was not compelling enough to justify the long development time of the project.

‘Thunderbolts*’ (2025)

A team of antiheroes and former villains is assembled by the government to execute a dangerous covert operation. The ensemble cast struggled to find a cohesive rhythm as several characters were pushed to the background for long stretches of the film. Reviewers noted that the humor often felt misplaced during the more serious moments of the mission. The plot was described as being overly predictable and followed the standard tropes of the team based action genre.

‘Jurassic World Rebirth’ (2025)

This prehistoric adventure follows a new group of survivors as they attempt to secure DNA samples from a dangerous island facility. Critics mentioned that the franchise has struggled to find new ground and mostly recycled themes from earlier movies. The computer generated dinosaurs were noted for being less impressive than the practical effects used in the original series. Many viewers felt that the human characters were underdeveloped and lacked clear motivations for their risky actions.

‘TRON: Ares’ (2025)

A highly advanced program escapes the digital world and enters reality with the goal of reshaping human society. The visual aesthetic of the film was considered its strongest point though the script was criticized for being confusing and overly philosophical. Reviewers pointed out that the lead performance felt distant and lacked the charisma needed to carry a high concept story. The transition between the digital and physical worlds often felt jarring and broke the immersion of the audience.

‘F1’ (2025)

A former racing champion comes out of retirement to mentor a rising star on a struggling team during a competitive season. While the racing sequences were filmed with realistic intensity the drama away from the track was described as thin and clichéd. Critics argued that the film failed to capture the true complexity and politics of the professional racing world. Many viewers felt the romantic subplot was unnecessary and distracted from the central theme of sporting redemption.

‘How to Train Your Dragon’ (2025)

The live action remake of the popular animated film tells the story of a young Viking who befriends a rare dragon. Critics were divided on the visual style with many feeling that the photorealistic dragons lacked the charm of the original designs. The script stayed very close to the source material which led some reviewers to call it an uninspired recreation. Audiences noted that the chemistry between the human actors felt less impactful than the voice performances in the animation.

‘Lilo & Stitch’ (2025)

A lonely girl in Hawaii discovers a destructive alien experiment and attempts to teach him the importance of family. The transition to live action was criticized for the design of the alien protagonist which some found to be unsettling rather than cute. Reviewers mentioned that the film lacked the vibrant energy and emotional warmth of the hand drawn version. Many fans felt that the changes to the supporting cast did not add anything meaningful to the established story.

‘The Bad Guys 2’ (2025)

The crew of criminal animals returns for a heist that forces them to confront their new reputation as heroes. Reviewers pointed out that the sequel lacked the visual flair and sharp wit that made the first film a surprise success. The new villains were described as generic and failed to provide a credible threat to the experienced team. Many parents mentioned that the humor was aimed at a younger audience and lacked the crossover appeal of its predecessor.

‘Zootopia 2’ (2025)

The animal detectives investigate a new mystery involving a mysterious reptile that disrupts the peace of the city. Critics felt that the social commentary was less effective this time around and felt somewhat repetitive. The pacing of the middle act was described as sluggish with too many subplots that went nowhere. Audiences noted that the chemistry between the two leads was still strong but could not save a mediocre script.

‘Elio’ (2025)

A young boy is transported to a cosmic council and mistaken for the official ambassador of the human race. The story was described as being too similar to other science fiction adventures and lacked a unique identity. Reviewers noted that the world building was interesting but the characters were mostly one dimensional archetypes. Some critics argued that the film was clearly intended for streaming and did not have the scale of a theatrical release.

‘Ballerina’ (2025)

An assassin seeks revenge against those responsible for the death of her family within the world of professional killers. Reviewers mentioned that the action sequences were competent but lacked the creative choreography of the main series. The plot was criticized for being a generic revenge story that added very little to the established lore of the franchise. Audiences felt that the pacing was uneven with too much time spent on world building and not enough on character growth.

‘In the Grey’ (2025)

A group of elite extraction specialists must recover a large sum of stolen money from a heavily guarded location. The film was criticized for its reliance on loud explosions and fast editing rather than creating actual tension. Many reviews mentioned that the dialogue was filled with clichés and military jargon that felt outdated. The characters were mostly interchangeable and failed to make a lasting impression on the audience.

‘The Amateur’ (2025)

A CIA cryptographer seeks revenge after his wife is killed during a terrorist attack in a foreign country. Critics noted that the transition of the protagonist from an office worker to an operative was not handled realistically. The narrative was described as being predictable with several plot twists that were easy to see coming in the first act. Reviewers argued that the film failed to stand out in a crowded market of espionage thrillers.

‘Novocaine’ (2025)

A man with a rare condition that makes him immune to physical pain must save his family during a bank heist. Reviewers mentioned that the central gimmick was not utilized in a clever way and mostly served as an excuse for graphic violence. The script was described as being thin with very little dialogue that actually moved the story forward. Critics felt that the film lacked the stakes needed to keep viewers engaged for the full duration.

‘Mercy’ (2025)

A detective investigates a series of brutal crimes while dealing with his own troubled past and personal demons. The film was criticized for its overly dark and somber tone that made the viewing experience feel like a chore. Reviewers mentioned that the mystery was not particularly engaging and the resolution was largely unsatisfying. Many critics felt that the film relied on shock value rather than intelligent storytelling to generate interest.

‘Valiant One’ (2025)

A group of soldiers must survive in a hostile environment after their transport crashes behind enemy lines. The characters were described as being stereotypical military archetypes with very little depth or backstory. Critics noted that the pacing was sluggish with several scenes that felt like they were only there to pad the runtime. The visual effects for the crash and subsequent battles were frequently criticized for looking low budget.

‘Den of Thieves 2: Pantera’ (2025)

The group of skilled thieves returns for a high stakes heist targeting a massive diamond exchange in Europe. Critics mentioned that the film was much longer than necessary and suffered from a lack of focus in the second act. The plot was described as being overly derivative of other heist classics without adding anything new to the genre. Some reviewers pointed out that the characters were less interesting this time around and lacked the grit of the first movie.

‘Dog Man’ (2025)

The half human and half canine police officer attempts to stop a feline villain from taking over the city. The animation was described as being faithful to the graphic novels but lacked the complexity needed for a feature film. Reviewers found the humor to be almost exclusively for very young children which left adult audiences feeling alienated. Many critics noted that the plot was episodic and felt more like a television pilot than a movie.

‘One of Them Days’ (2025)

Two friends encounter a series of chaotic mishaps during a single day in a busy urban environment. The comedy was criticized for its reliance on loud performances and physical gags that rarely landed. Reviewers mentioned that the chemistry between the leads was the only highlight of an otherwise poorly written script. The pacing was described as frantic and exhausted the audience before the final act began.

‘The Unbreakable Boy’ (2025)

Based on a true story this drama follows a child with brittle bone disease and autism as he inspires those around him. Critics felt the film leaned too heavily into sentimental tropes and manipulated the emotions of the audience. The narrative structure was described as formulaic and followed every expected beat of the inspirational genre. Many viewers found the dialogue to be overly profound in a way that felt unnatural for the characters.

‘The Monkey’ (2025)

Two brothers discover an old toy monkey in their attic that seems to cause a series of gruesome deaths in their town. Reviewers mentioned that the film struggled to find a consistent tone between dark horror and absurd comedy. The supernatural rules of the object were often inconsistent and changed to suit the needs of the plot. Critics argued that the story felt stretched thin and could have functioned better as a short film.

‘Sinners’ (2025)

Two brothers return to their hometown to start a new life only to find that an ancient evil has taken root in the community. Critics pointed out that the film relied too much on mystery box storytelling that failed to provide a satisfying payoff. The pacing was described as being glacial with very little horror action in the first hour of the movie. Many reviewers felt that the atmosphere was effective but could not compensate for a weak narrative.

‘Vicious’ (2025)

A woman must fight for her survival when a mysterious stranger enters her home during a stormy night. Reviewers found the premise to be extremely familiar and noted that the film added very little to the home invasion subgenre. The protagonist made several illogical decisions that frustrated audiences and lowered the stakes of the conflict. Critics also mentioned that the ending was predictable and lacked the impact needed for a thriller.

‘Companion’ (2025)

The science fiction thriller explores a futuristic world where humans can purchase artificial companions to fulfill their emotional needs. The social commentary was described as being heavy handed and lacked the subtlety of other films in the genre. Reviewers noted that the plot became increasingly nonsensical as it reached the final act. Many viewers felt that the central performances were stiff and failed to create a believable connection.

‘Drop’ (2025)

A young woman finds herself being stalked after a series of mysterious digital messages appear on her devices. Critics mentioned that the film felt like it was trying too hard to be relevant to current technological trends. The tension was often broken by predictable jump scares and a lack of atmosphere. Reviewers argued that the villain’s motivations were never clearly explained which made the final confrontation feel hollow.

‘Flowervale Street’ (2025)

A family living in a suburban neighborhood begins to experience strange phenomena that suggest they are being watched by something otherworldly. Critics noted that the film built up a lot of suspense but failed to deliver a coherent explanation for the events. The child actors received some praise though the adult characters were described as being unlikable. Many viewers expressed frustration with the ambiguous ending that left the central mystery unresolved.

‘The Conjuring: Last Rites’ (2025)

The paranormal investigators take on one final case involving a haunted estate with a dark and bloody history. Critics felt the jump scares were telegraphed well in advance and lacked the genuine chills of the earlier movies. The plot followed the established formula so closely that it felt more like a remake than a new chapter. Audiences noted that the emotional stakes for the main characters felt lower than they should have for a finale.

‘M3GAN 2.0’ (2025)

The advanced robotic doll returns with new upgrades and a mission to protect her user at any cost. Reviewers mentioned that the sequel lacked the satirical edge and clever humor that made the original a viral hit. The horror elements were described as being repetitive and failed to innovate on the concept of a killer doll. Many fans felt that the character had lost her mystery and was now just a generic slasher villain.

‘Five Nights at Freddy’s 2’ (2025)

The security guard returns to a new location where a different set of animatronics comes to life at night. Critics argued that the film spent too much time on lore and easter eggs for fans rather than telling a good story. The jump scares were described as being cheap and the atmosphere was not as tense as the first movie. Many reviewers pointed out that the film was too long and suffered from a confusing plot that was hard for casual viewers to follow.

‘Black Phone 2’ (2025)

The supernatural thriller explores the origins of the masked killer and the voices that continue to haunt the basement. Reviewers felt that the sequel was unnecessary and took away from the self contained mystery of the first film. The pacing was described as sluggish with a script that relied too heavily on flashbacks. Many viewers found the new supernatural elements to be less frightening and more confusing than the original premise.

‘The Bride!’ (2025)

This reimagining of a classic horror tale focuses on the creation of a companion for a lonely monster in a stylized past. Critics found the visual style to be overwhelming and felt it distracted from the performances of the lead actors. The tone was described as being inconsistent with shifts between gothic drama and dark comedy that did not always work. Reviewers noted that the story felt disjointed and lacked a strong emotional core.

‘Wolf Man’ (2025)

A family is hunted by a terrifying creature during a vacation in a remote cabin in the woods. Reviewers mentioned that the film relied too much on digital effects for the creature which made it look less threatening than practical makeup. The script was described as being filled with horror movie clichés and lacked any surprising twists. Many critics felt the pacing was off with a long buildup that did not lead to a satisfying payoff.

‘Snow White’ (2025)

A young princess must find her way through a dark forest after being targeted by a jealous and powerful queen. Critics pointed out that the digital characters often looked out of place next to the real actors in the live action environment. The musical numbers were described as being uninspired with choreography that felt repetitive. Many viewers expressed disappointment with the changes to the original story which they felt removed the heart of the fairy tale.

‘Final Destination Bloodlines’ (2025)

A new group of teenagers must outrun death after surviving a massive accident involving a modern tower. Critics found the death sequences to be less creative and more predictable than the ones in previous installments. The characters were described as being mostly unlikable which made it difficult to care about their survival. Reviewers argued that the franchise has become too formulaic and is no longer able to surprise the audience.

‘Screamboat’ (2025)

A mischievous mouse turns into a murderous threat on a ferry boat in this horror take on a classic animated character. Critics ridiculed the film for its low production values and reliance on shock value to get attention. The humor was described as being forced and the horror elements were mostly ineffective. Reviewers noted that the film was clearly trying to capitalize on the character entering the public domain without offering a quality story.

‘The Naked Gun’ (2025)

A bumbling detective attempts to stop a major crime through a series of accidental mishaps and visual gags. Reviewers mentioned that the comedy felt dated and lacked the precision timing of the original films. The lead performance was criticized for being an imitation rather than a fresh take on the character of Frank Drebin. Many critics felt that the movie recycled too many jokes from the past and offered very little new material.

‘A Minecraft Movie’ (2025)

A group of travelers is pulled into a blocky world where they must build and fight to find a way home. The visual style was widely criticized for the mixture of real actors and digital landscapes that many found jarring. Critics noted that the story was extremely generic and failed to capture the creative spirit of the game it was based on. Many viewers mentioned that the humor felt significantly outdated and was aimed at a very young audience.

Please share your thoughts on these films in the comments.