The Boys Rich List: The Wealthiest Actors in the Superhero Satire, Ranked
It takes a lot to stand out in a show as loud and fearless as ‘The Boys’. Many of its stars brought long careers, franchise work, and savvy moves behind the scenes to the table before they ever suited up on Prime Video. Add in producer credits, voice acting, brand partnerships, and convention circuits and you get a cast with some serious earning power.
This countdown looks at the actors who appear in ‘The Boys’ and how their wider careers fuel their wealth. It focuses on big paydays from television and film, smart producing and writing credits, animation and game work that keeps residuals flowing, and side ventures that build income beyond the screen.
Seth Rogen
Beyond popping up in ‘The Boys’, he serves as an executive producer on the series and on the connected projects that expand its world. That producer role brings backend earnings and creative control that go well beyond a guest appearance. He also writes and produces across film and television which adds steady revenue outside acting.
He has headlined studio comedies, voiced characters in major animated features, and built a production banner that shepherds projects from development through release. Add in entrepreneurial work with consumer brands and recurring voice roles that keep paying over time and his portfolio sits at the top of this list.
Paul Reiser
His turn as The Legend in ‘The Boys’ is a late career victory lap built on decades of television success. He co created and starred in a long running network sitcom that drove syndication and reboot paychecks, and he continues to book premium cable and streaming roles that keep his profile high.
He also writes books, tours as a comedian, and remains a reliable draw for live events. Those multiple revenue streams combined with ongoing screen work make him one of the most financially established faces to appear in the series.
Simon Pegg
He appears in ‘The Boys’ as Hughie’s father while maintaining a career across several film franchises. His writing partnership on cult favorites developed a durable library, and his acting in science fiction tentpoles keeps him close to box office upside.
Merchandise friendly roles, audiobook narration, and consistent international appeal support steady earnings between bigger projects. He also benefits from convention appearances and licensed character work that extend the life of his most famous roles.
Jensen Ackles
He joined ‘The Boys’ after anchoring one of the longest running genre shows on television. Years of series regular pay, producer bumps in later seasons, and convention demand give him a strong base before factoring in his Soldier Boy stint.
His voice acting in superhero animation and games adds repeatable income, and he continues to land leading roles on television that come with top tier episodic rates. He also records audiowork and participates in event circuits that keep revenue flowing between shoots.
Karl Urban
As the lead of ‘The Boys’, he earns series star pay while bringing a film career that includes major franchises. Work in science fiction and fantasy draws worldwide audiences, and those titles tend to provide ongoing residuals and premium appearance fees.
He supplements acting with voice work and global press tours that solidify his draw for future projects. International filming experience and steady genre presence help keep him in demand, which supports consistent paydays across markets.
Jeffrey Dean Morgan
His appearance in later seasons of ‘The Boys’ follows a long run on a wildly popular zombie drama where he was a central figure. A lead on a network hit brings strong episode rates, bonuses, and lucrative convention opportunities that continue years after airing.
He works across film and cable series, often in roles tied to recognizable brands. Add in endorsements tied to his persona and regular fan events and you get a diversified set of income sources that puts him high on this list.
Elisabeth Shue
Her role in ‘The Boys’ comes after decades of studio films and prestige television. She has leading and supporting credits in titles that continue to attract new viewers on streaming, which means residual earnings arrive well after initial release.
She balances film with limited series and recurring television work, a mix that provides both visibility and stability. Brand campaigns, public speaking, and festival appearances add to her professional footprint and help sustain long term earnings.
Giancarlo Esposito
He appears in ‘The Boys’ while also anchoring major roles in acclaimed crime dramas and a galaxy sized space saga. Those series deliver premium pay and awards attention, both of which increase rates for future roles.
He is a frequent voice in animation and games, which provides reliable checks between live action shoots. On the convention circuit he is a headline guest, and that demand adds a healthy revenue stream beyond screen work.
Shawn Ashmore
His part in ‘The Boys’ follows superhero film work that introduced him to worldwide audiences. Franchise roles bring residuals, and they also support steady bookings at fan events and brand conventions.
He continues to act in series television and independent films while lending his voice and likeness to game projects. That combination of screen appearances and interactive media keeps his profile active and his income diversified.
Chace Crawford
He portrays The Deep in ‘The Boys’ and previously starred in a teen drama that became a global phenomenon. A lead on a network hit means strong syndication exposure and a fan base that supports ongoing appearance opportunities.
He has continued to work in film and streaming projects, adding roles that broaden his range beyond his breakthrough. Print and fashion campaigns have also contributed at points in his career, which help round out earnings between screen projects.
Antony Starr
As the face of Homelander, he commands a central role in ‘The Boys’ with the compensation that comes with it. Prior series work built his television resume, but this breakout boosted his negotiation power for future seasons and related appearances.
He continues to add roles in international productions and feature films while maintaining a strong presence on the press and convention circuits. That combination of lead status and global visibility supports steady income growth.
Jack Quaid
He is a core member of ‘The Boys’ ensemble and also voices a lead character on a popular animated science fiction series. Working both on camera and in the recording booth means two parallel income tracks with different schedules and residual structures.
He takes supporting roles in notable films and recurring parts in buzzy shows that keep him in the conversation year round. Voice acting in games and animation expands his reach and adds reliable paydays between live action shoots.
Jessie T. Usher
He plays A Train in ‘The Boys’ and previously headlined films and series that placed him front and center. That mix of studio features and streaming work brought solid checks and valuable exposure ahead of his superhero satire run.
He also books commercials and brand partnerships that align with his athletic on screen persona. The pairing of series regular work and campaign appearances helps maintain consistent earnings across the calendar.
Erin Moriarty
As Starlight, she is one of the most visible heroes in ‘The Boys’ and a frequent focus of marketing. Series regular status on a worldwide streaming hit supports strong episodic pay and broad recognition.
She supplements that with independent film roles and prestige television appearances that diversify her credits. Press tours, magazine features, and brand events linked to her character profile contribute additional income opportunities.
Laz Alonso
He portrays Mother’s Milk and brings prior work in major films and network series. Appearances in large scale productions provide residuals that continue over time, while steady television roles keep baseline income stable.
He also hosts and participates in events that connect with fans of action and franchise cinema. Public speaking and voice work contribute to a varied portfolio that supports reliable earnings beyond a single series.
Karen Fukuhara
She plays Kimiko in ‘The Boys’ and has credits in superhero cinema along with significant voice roles in animation. Voice acting across multiple seasons provides dependable pay and residuals that stack across shows.
She appears at fan conventions and animation festivals, which adds appearance income while strengthening her brand. New projects in both live action and voice work keep her schedule balanced and her revenue steady.
Tomer Capone
As Frenchie, he is a fan favorite in ‘The Boys’ and also a leading figure in acclaimed Israeli television. International success brings diverse markets and additional distribution income that complements his streaming profile.
He continues to land roles in films and series across languages, which expands his reach and opportunity for residuals. Festival recognition and global press help secure higher rates on future projects.
Aya Cash
She made a major impact in ‘The Boys’ and previously led a celebrated comedy series that ran for several seasons. Long runs on television are valuable since they bring consistent pay and ongoing streaming residuals.
She mixes television with independent film and voice roles that fit into a flexible schedule. Teaching workshops and theater appearances add professional variety and help maintain reliable earnings over time.
Claudia Doumit
She joined ‘The Boys’ with experience in science fiction television and video game performance capture. Work in interactive media adds repeatable income and keeps her connected to passionate fan communities.
She continues to build credits in streaming drama and genre projects while participating in press and event circuits. That blend of on camera roles and game work creates multiple income streams that grow with each release.
Dominique McElligott
She was part of the early seasons of ‘The Boys’ and has a background in high profile television dramas. Recurring roles on period and political series provide steady pay and residuals that continue after initial runs.
She works between European and North American productions, which broadens her opportunities and exposure. The combination of transatlantic credits and streaming availability supports long term earnings from multiple markets.
Share your take in the comments and tell us who you think belongs higher on this list.