All Horror Movies and Shows You Can Stream This Week at Home or Watch in Theaters, Including ‘She Loved Blossoms More’

If you’re in the mood for fresh frights, this week brings a mix of theatrical horror and true-crime TV that leans into haunted houses, creature features, suburban nightmares, and real-world monsters. Below you’ll find quick, fact-packed rundowns of each title—who’s in it, who made it, what it’s about—plus exactly when and where it lands.

For the films, expect theatrical chills on Friday, October 3, 2025. On the TV side, two true-crime docuseries arrive mid-week and one high-profile dramatization closes things out on Friday. Dates and platforms are listed inside each entry so you can plan your watchlist without any guesswork.

‘Good Boy’ (2025)

Told entirely from a dog’s point of view, ‘Good Boy’ follows a loyal retriever who moves with his owner into a rural home where a haunting takes hold. The film is directed by Ben Leonberg, who co-wrote it with Alex Cannon and literally spent years filming his real dog, Indy, to capture the POV concept on screen; the cast also includes Shane Jensen, Arielle Friedman, and Larry Fessenden. It arrives in theaters on October 3, 2025.

Behind the camera, Leonberg and producer Kari Fischer built a lean production around Indy (no CGI dog), using custom rigs to achieve canine-eye shots; the feature runs 73 minutes and features practical, in-camera techniques that emphasize the animal’s perspective throughout.

‘She Loved Blossoms More’ (2025)

‘She Loved Blossoms More’ centers on three brothers who construct an unusual time-machine to resurrect their long-dead mother, tumbling into a psychedelic, grief-stricken spiral when their experiments go wrong. The Greek genre hybrid is directed by Yannis Veslemes, written by Veslemes and Dimitris Emmanouilidis, and features Panos Papadopoulos, Julio (Giorgos) Katsis, Aris Balis, Sandra Sarafanova, Alexia Kaltsiki, and Dominique Pinon; it opens in theaters on October 3, 2025.

Key creative credits include cinematography by Christos Karamanis and editing by Yorgos Mavropsaridis, with production by Blonde Audiovisual; the film blends science fiction, comedy, and horror elements while foregrounding themes of familial loss and obsession.

‘Bone Lake’ (2025)

In ‘Bone Lake,’ a romantic getaway goes sideways when a couple is forced to share a secluded lakeside mansion with another, much stranger pair; the situation mutates into psychological manipulation, sex, and violence. Mercedes Bryce Morgan directs from a screenplay by Joshua Friedlander, with leads Maddie Hasson, Alex Roe, Andra Nechita, and Marco Pigossi; it hits theaters on October 3, 2025.

Produced by LD Entertainment and distributed by Bleecker Street, the film premiered at Fantastic Fest; the creative team has highlighted the production’s high-intensity, night-heavy shoot and the story’s fusion of relationship drama with thriller-horror mechanics.

‘Coyotes’ (2025)

‘Coyotes’ traps a family in their Hollywood Hills home as a raging wildfire and a pack of aggressive coyotes close in, forcing a desperate fight for survival. Colin Minihan directs, with a screenplay by Tad Daggerhart and Nick Simon; the ensemble includes Justin Long, Kate Bosworth, Mila Harris, Katherine McNamara, Brittany Allen, Keir O’Donnell, and Norbert Leo Butz. The film opens in theaters on October 3, 2025.

Production companies include Gramercy Park Media and Source Management; key creatives include cinematographer Bradley Stuckel and composer Brittany Allen, aligning the survival-horror premise with thriller elements and a contained, home-invasion framework.

‘Scared Shitless’ (2025)

A blue-collar plumber, Don, and his germophobic son, Sonny, answer a routine service call and confront a genetically engineered creature prowling an apartment building’s pipes in ‘Scared Shitless.’ Directed by Vivieno Caldinelli and written by Brandon Cohen, the Canadian horror-comedy stars Steven Ogg, Daniel Doheny, Chelsea Clark, Mark McKinney, and genre veteran Julian Richings; it arrives in theaters on October 3, 2025.

Associated with Blue Fox Entertainment after a festival run, the film emphasizes practical creature effects and a father–son dynamic; additional credits include music by Blitz//Berlin, cinematography by Rudolf Blahacek, and editing by Christopher Minns.

‘The Real Murders on Elm Street’ (2024–)

This true-crime docuseries investigates homicides that occurred on actual “Elm Streets” across the United States, connecting familiar suburbia with real-life terror. It features a run of six documentary episodes produced under Investigation Discovery’s umbrella, and is available on Max; new episodes for this week land on October 1, 2025.

Episode synopses cover cases ranging from a teenager secretly living within a family’s walls to a Halloween killing in Ohio, using interviews, archival materials, and case reconstructions to examine police investigations and victim stories in a documentary format.

‘The Friday the 13th Murders’ (2025–)

‘The Friday the 13th Murders’ is a six-part true-crime series that examines real killings connected to the superstition-soaked date, with each episode unraveling a separate case. The show lists Ben Newmark and Dan Newmark as producers and streams on Max; it debuts this week on October 1, 2025.

Program materials describe a case-by-case structure that turns Friday-the-13th lore into a factual framework for homicide investigations, incorporating interviews with detectives and families alongside police records and archival footage.

‘Monster: The Ed Gein Story’ (2025–)

From creator Ian Brennan, ‘Monster: The Ed Gein Story’ dramatizes the 1950s crimes of murderer and grave robber Ed Gein, whose case influenced several iconic screen villains. The Netflix series stars Charlie Hunnam and Laurie Metcalf, with supporting roles listed for Suzanna Son and others, and premieres on October 3, 2025.

Positioned within the larger ‘Monster’ umbrella, the show expands the anthology’s true-crime dramatization approach; additional ensemble names include Tom Hollander, Vicky Krieps, Olivia Williams, and Lesley Manville, with the narrative focused on Gein’s crimes and their cultural aftermath.

Tell us which titles you’re planning to watch this week—and why—in the comments!